Ana Popovic was born in Belgrade in 1976. Her father first introduced her to the blues, through an extensive record collection and sessions hosted at the family home. Ana took to the guitar and founded her first serious band at age nineteen. Within a year, she was playing outside of Yugoslavia and opening shows for American blues icons like Junior Wells. By 1998, her band was doing 100 shows annually and appearing regularly on Yugoslavian television. Her debut CD, "Hometown", provided a first glimpse of her talents as a singer and guitarist.
In 1999, Ana relocated to the Netherlands to study jazz guitar. She quickly became a fixture on the Dutch blues scene and soon ventured into neighboring Germany. Ruf Records took notice and a few months later, she was on a plane to Memphis to record her successful debut album on Ruf Records, "Hush" (released in 2001). Since then, Ana's star has been rising like mercury on a Mississippi summer's day. With "Comfort to the Soul" (2003), Popovic took her burgeoning career to the next level, she delivered another diverse package of blues, rock, soul and jazz. The album makes one thing clear. Ana Popovic is not about recycling worn-out clichés. Her blues are fresh, positive and genre-expanding.
Now she's back with a brandnew live album - "ANA! Live in Amsterdam" (2005). It was recorded at the Melkweg in Amsterdam/ Netherlands. The refrain of her first song "Don't Bear Down On Me" can be taken straight away as the motto of the whole evening: "I'm Here To Steal The Show". And indeed, that's what she does! 29-year-old Ana Popovic proves with her own songs and fresh interpretations that she is an excellent and expressive guitarist with a powerful voice. The most impressive aspect of her music is its diversity of techniques and styles - smoking electric funk slide guitar, jazzy instrumentals and tight blues grooves.
Clearly, Ana Popovic takes her music seriously. It is her road home, to herself. Or - to paraphrase John Lee Hooker - her Healer. "We're living in a time when everything is rushed," she observed recently. "But where are we in all of this? And where's the music?"