DANNY BARNES' GOT MYSELF TOGETHER (TEN YEARS LATER) RELEASES NOVEMBER 27 ON AUSTIN'S EIGHT 30 RECORDS
Folks notice Got Myself Together (Ten Years Later), releasing November 27 on Eight 30 Records, delivering Barnes trademark story songs and impeccable banjo picking over and again on the album (“Rat's Ass,” “Cut a Rug”). “Danny Barnes' musical horizon is vast and elegant,” says legendary Texas songsmith Robert Earl Keen, who frequently enlists Barnes as banjoist in his touring band. “I've said many times that he is the world's greatest banjo player. Danny's singing swoops and soars by still waters and down rocky paths.” “It is heaven and earth,” says superstar Dave Matthews, who also frequently calls Barnes to bat in his live show. “It is Americana from the back porch to the pulpit.”
Longtime fans immediately will recognize Barnes' quirky lyrics and unimpeachable banjo style jumping toward the fore with little distraction on the new record. “I had to come up with a different scene for each song,” Barnes says. “The original context for these songs was as though I had made a movie and everything was all committed to celluloid. However, with music you tend to shape things as you play them live. The routine: You write something, you record it, then you go play it for ten years on the road. So, in returning to the music, I had a different perspective. It's more like a dramatic work in that the company that performs it and the venue it's performed in necessarily changes the meaning.”
Icing on the cake: The Temple, Texas native – and this year's Steve Martin Excellence in Bluegrass and Banjo winner – offers a buoyant bonus track rerecording of his former band the Bad Livers' high watermark “I'm Convicted.” The song's equally rambunctious and robust. “Danny Barnes doesn't sound like anyone else,” says iconic instrumentalist Bill Frisell, whose “Big Shoe” closes out the album proper. “I was knocked out when I first heard him play and continue to be.” “I enjoy these songs and I think they are 'real songs,' if that makes any sense,” Barnes concludes. “They can be strummed on a one-string instrument and they still make sense and tell the story. They don't depend on effects or processing. I think they are worth a busy person taking time to jam on them.”
For more information, visit dannybarnes.com.