Prepare yourself for an unprecedented evening of superlative music, enthralling stories and visuals. THE ROCK PACK, Presented by KDIM Entertainment as part of The Classic Rock Series. Who: The Rock Pack When: November 19, 2015 Where: Germain Arena, Ft. Myers, FL Tickets: http://www.ticketmaster.com/classic-rock-series-the-rock-pack-estero-florida-11-19-2015/event/0D004F23AAF679AC?artistid=1475086&majorcatid=10001&minorcatid=1 For more information: http://theclassicrockseries.com/ https://www.facebook.com/ClassicRockSeries https://twitter.com/ClassRockSeries www.kdimentertainment.com  MICKEY THOMAS
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BLUES, ROCK & METAL GUITAR SLINGERS SALUTE LEGEND JEFF BECK ON A NEWLY REISSUED COLLECTION!28/9/2015
Former Ozzy axeman Jake E. Lee takes listeners on a face-melting ride through the blazing stunner “Rice Pudding” and main Crüe man Mick Mars provides the brilliant album closer. Each performer brings their own unique guitar playing personalities to these compositions pulled from a wide range of Beck’s career, showcasing both Beck’s under-heralded accessibility as well as his inimitable stylistic panache. Guitar players of all stripes and skill levels will find plenty here to hone their chops on, while Beck fans the world over will not want to miss this thoroughly satisfying listening experience! Track List 1. New Ways / Train Train - Warren DeMartini 2. Led Boots - Vivian Campbell 3. Heart Full Of Soul - Paul Gilbert 4. Cause We’ve Ended As Lovers - Phil Collen 5. Blues Deluxe - Walter Trout 6. Headed For Backstage Pass - Bruce Bouillet 7. People Get Ready - George Lynch 8. Rice Pudding - Jake E. Lee 9. Shapes Of Things - Stevie Salas 10. Behind The Veil - Steve Lukather 11. Happenings Ten Years Time Ago - Mick Mars Buy the CD: http://cleorecs.com/store/shop/jeffology-a-guitar-chronicle-cd/ Buy the digital album: http://flyt.it/Jeffology 
Guy Van Nueten: Music for a Small Orchestra, een soundtrack voor de Nederlands Ierse film ‘Milo’. Album nu verkrijgbaar – Check de clip van ‘Milo’ ter kennismaking. Guy Van Nueten - klassiek geschoold muzikant - voorstellen is misschien overbodig. Zijn verleden is bekend als songschrijver & producer bij ‘The Sands’, als pianist op zowat alle dEUS-platen en ontelbare belgische albums, van zijn dubbel-album met (Tom) Barman&VanNueten, als hedendaags componist & auteur van een piano solo trilogie. Maar Van Nueten is ook reeds jaren in de weer als componist van muziek voor theater, dansvoorstellingen en film (zie de factsheet in bijlage). Zijn jongste wapenfeit is ‘Music for a Small Orchestra’, een soundtrack voor de film Nederlands Ierse film ‘Milo’die uitkwam in 2012. “Music for a Small Orchestra is een cd die je gevangen houdt in een fuik waar het fijn toeven is. Het vormt na Merg en Pacman weer een nieuw hoogtepunt in Van Nuetens oeuvre.” Ramsey Nasr.
«Pianiste subtil, Guy Van Nueten joue sur la corde des émotions avec délicatesse sans tomber dans les habituels débordements dégoulinants hollywoodiens. » (Thierry Coljon, Le Soir) "Guy behoort tot de zeldzame muzikanten die wars van alle trends zijn tijdloze idioom weet vol te houden." (Mauro Pawlovski) ‘Music For A Small Orchestra’ is het nieuwe album van Guy Van Nueten (met 20 koppig orkest) is uit op diens eigen Bolli Records (digitaal&CD). ‘MFASO – OST Mio’ is dus geen nieuwe worp in de Merg Trilogie maar een op zich staand album. Catnr BOLLI 0006: Producer Guy Van Nueten, edited byLola Montez, mixed by Frank Duchêne, mastered by Gert Van Hoof, directed by Dirk De Caluwe, session leader Stoffel de Laat. Te koop via GVN Facebook: https://www.facebook.com/pages/Guy-Van-Nueten/150190748379280?sk=app_470868196288052&ref=page_internal Op Itunes https://itunes.apple.com/be/album/music-for-small-orchestra/id1040610406 Zie ook spotify https://open.spotify.com/album/1Vg5cBNN2v9HX4tqOscQPe CD via Discogs: http://www.discogs.com/sell/release/7062187?ev=rb Music for a Small Orchestra ontstaansgeschiedenis. Begin 2011 stuurde productiehuis ‘A Private View’ regisseurs Roel en Berend Boorsma op pad om een heleboel Belgische componisten te bezoeken en van gedachten te wisselen. Het was een fijne ontmoeting en direct nadat de regisseurs in hun wagentje waren gestapt om terug naar Amsterdam te rijden schrijft Van Nueten neer wat later het hoofdthema van de film zal worden. Het verhaal over een kind dat onderdrukt wordt en vervolgens van huis wegloopt heeft hem aangegrepen. Drie weken later levert hij een demo af, wordt vervolgens gevraagd om de muziek te schrijven en aanvaardt de opdracht. Beide regisseurs moedigen hem aan ‘teveel’ te schrijven om in de eindmixage opties te hebben. Producent San Fu Maltha is – nadat Van Nueten de muziek voor hem gespeeld heeft – enthousiast en vraagt aan de componist om de muzikale productie op zich te nemen. Dit heeft mede geleid tot dit album. Van Nueten kan een team samenstellen met mensen die hij hoog inschat en waardeert en de opnames verlopen in een sfeer van wederzijds respect en vertrouwen, wat het hoge muzikale niveau van dit album verklaart. Guy Van Nueten is een Belgische componist, pianist en producent. Hij begint piano te spelen op 5-jarige leeftijd, waarop hij door zijn moeder naar de plaatselijke muziekschool wordt gebracht. Als gevolg hiervan kon hij eerder noten lezen dan letters. Rond zijn 15 jaar begint hij zich met pop- en rockmuziek bezig te houden en na zijn studies wiskundige economie gooit hij zich volledig op een muzikale carrière. Hij concentreert zich op het schrijven van songs en schrijft voor zijn toenmalige band ‘The Sands’ ondermeer de belpop-klassieker ‘April & June’, een song die al meer dan 20 jaar op de radio te horen is en steevast in de ‘top-100 Belgische songs aller tijden’ van het tijdschrift Knack opduikt. Hun debuut-cd wordt opgenomen in de Verenigde Staten en wereldwijd uitgebracht door Universal. Vervolgens toert de groep doorheen Europa, o.a. met John Cale. Rond 1998 is een muzikale koerswijziging voor hem een noodzaak geworden: hij schrijft zich in aan het conservatorium voor compositie en harmonie en wordt pianistiek onder handen genomen door de internationaal gerenommeerde pedagoog Jacques De Tiège. Een episode waarover Van Nueten nu zegt: ‘Vroeger speelde de piano met mij, nu speel ik piano.’ Na deze koerswijziging bouwt hij een reputatie op als componist voor theater, dans en film. Hij componeert voor de bekendste theaterhuizen uit de Benelux zoals Toneelhuis, Toneelgroep Amsterdam, Les Ballets C de la B, de Filharmonie, tPaleis enz. Verder componeert hij o.m. voor filmregisseurs Koen Mortier (‘Ex-Drummer’) en Alex Stockman (‘Eva’ en ‘Pulsar’) Verder is hij een veelgevraagd sessiemuzikant, te horen op cd’s van Admiral Freebee, Daan, dEUS, Magnus, Tim Vanhamel, Zita Swoon, e.a. In de herfst van 2009 brengt hij het prachtige ‘Merg’ uit, een hedendaags klassiek solo-album met verwijzingen naar o.a. barok en zijn held J.S. Bach, en met songtitels als ‘Adagio niet in B’, ‘Agressie Var.1’ of ‘Impro De Vrucht’. Dit album wordt in 2013 opgevolgd door het intrigerende ‘Pacman’, volgens cobra.be ‘tijdloos en wars van alle trends’, volgens Dimitri Verhulst (in Humo) ‘beste cd van 2013’.  Nieuwe single Oklahoma Skies wordt volgende week naar radio gebracht.
Tout Va Bien speelt op vrijdag 15 januari alvast in de prachtige Stadsschouwburg in Groningen. Eurosonic is hét festival waar menig talentvolle band ontdekt werd: denk de laatste jaren onder andere maar aan Sam Smith, Bastille, Dotan, Ibeyi, James Blake, Hozier, Royal Blood, Seinabo Sey, Jake Bugg, … In dat mooie rijtje zal Tout Va Bien niet misstaan. Het is in ieder geval een fantastisch jaar geweest voor Tout Va Bien. Zijn uitstekend onthaald debuutalbum Kepler Star injecteerde een portie sferische pracht in het trommelvlies en de lead-single ‘This Fight’ was naast Studio Brussel’s Hotshot ook een Afrekening-hit die maanden over het radionet golfde. Dé hoogtepunten waren toch wel de passages op Rock Werchter 2015 – een overvolle Klub C en mét het koor! – en de Wablieft op Pukkelpop. Ook dit najaar én begin 2016 gaat het sprookje van Tout Va Bien verder met een aantal heel fijne clubshows, waarvan de eerste in de AB Club alvast uitverkocht is: • 30/09: AB Club – Brussel (SOLD OUT) • 30/10: Trix – Antwerpen - tickets • 31/10: Turn Out City Night – De Warande – Turnhout - tickets • 16/01: Het Depot – Leuven - tickets • 04/12: Brakke Grond – Amsterdam (NL) - tickets https://www.youtube.com/watch?v=80LCUXx1BPY&feature=youtu.be&eml=2015September24/2742408/6011938&etsubid=36261728 Tijdens de opnames van ‘Kepler Star’ in LA schoot niemand minder dan Michael Reich (clips voor bijvoorbeeld Ryan Adams: http://imvdb.com/video/ryan-adams/gimme-something-good) beelden. Die worden nu gemonteerd tot een video die we binnen een kleine drie weken mogen verwachten.
Robin Schulz has created his very own, genre-transcending and highly recognizable sound: Deep house with organic instruments, always accompanied by a certain melody. Though Schulz doesn’t see himself as much of a melodic type. SUGAR is Schulz taking the next step and delivering his own brand of sweetness to the dancefloor. While his debut Prayer featured various remakes of songs by other artists, SUGAR is composed of his own productions. Schulz uncut. Robin Schulz has expanded his sound and finetuned it to create the greatest possible diversity, ranging from catchy radio tunes to danceable club tracks.
His current single was quick to reach gold: Sugar (feat. Francesco Yates) is the third #1 single that also entered the German single charts, streaming charts, airplay charts and iTunes charts at #1, besides generating several million Spotify streams and counting. The song’s official music video is currently ranked among the most-watched clips on YouTube and was recently voted one of the “5 Best Dance Videos Of The Week” by music service Shazam, while Robin Schulz’s YouTube channel is officially the most successful German YouTube channel in the area of music. Release bij Warner Music  24 September 2015 - New York, NY / Brussel. Op vrijdag 6 November releasen Columbia Records en Legacy Recordings (Sony Music) Bob Dylan's The Cutting Edge 1965-1966: The Bootleg Series Vol. 12. Dit nieuwe volume in de erg gewaardeerde “Bob Dylan Bootleg Series”, focust op de legendarische studio sessies waar de albums Bringing It All Back Home, Highway 61 Revisited en Blonde On Blonde uit zijn voortgekomen. Deze trilogie – stuk voor stuk meesterwerkjes volgens critici - hebben Dylan’s reputatie als songwriter en onnavolgbaar performer voor eens en voor altijd vastgelegd - en hadden als ‘instant-mijlpalen’ een grote impact op de muziekscene uit die periode (en latere generaties). Alle opnames uit dit volume The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 werden uit de originele studiotapes geplukt en afgemixt en bieden de fan/muziekliefhebber een nooit eerder gezien inzicht in het creative proces dat voorafging aan deze albums. The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 - Deluxe Edition komt uit in een 6CD deluxe set en bevat brengt een aantal van de meest gezochte tracks en rarities uit de carriere van Dylan. Zo zijn er oa studio outtakes, rehearsal tracks, alternate working versions van bekende nummers waaronder de volledige "Like A Rolling Stone" opnamesessie, ... en nog veel meer. The Best of The Cutting Edge 1965-1966: The Bootleg Series Vol.12 komt uit op 2CD of 3x vinyl LP set. (Een 18cd fan-versie die enkel via de site van Dylan te krijgen is, bevat iedere noot die in deze sessies werd opgenomen). BOB DYLAN - THE CUTTING EDGE 1965-1966: THE BOOTLEG SERIES VOL. 12, A DELUXE 6CD ANTHOLOGY, TO BE RELEASED BY COLUMBIA RECORDS/LEGACY RECORDINGS ON NOVEMBER 6 Latest Volume in Acclaimed Dylan Bootleg Series Premieres Previously Unreleased Studio Recordings--including Never-Before-Heard Songs, Outtakes, Rehearsal Tracks, and Alternate Versions--from the Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde Sessions The Best of The Cutting Edge 1965-1966, Available in Special 2CD and 12" Vinyl 3LP Configurations, Collects Highlights from the Sessions Ultra Deluxe 18CD Limited Edition--Available Exclusively on BobDylan.com--Includes Every Note Recorded in the Studio During These Renowned Sessions  September 24, 2015 - New York, NY - Columbia Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will release Bob Dylan's The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 on Friday, November 6, 2015. The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series focuses on the legendary studio sessions that produced Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, the trilogy of album masterpieces which secured Dylan's reputation as a songwriter and performer of unprecedented depth, power and originality while significantly impacting the course of popular music and culture. All recordings included in The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 are pristine transfers and mixed from the original studio tracking tapes. Importantly, The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 provides a rare exploration into Dylan's creative process in the studio, allowing fans to experience another side of Bob Dylan through the evolution of his songs and recordings from this truly groundbreaking period. The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 - Deluxe Edition brings together for the first time many of the most sought-after recordings of the entire Dylan canon. Here, across 6 CDs, are previously unheard Dylan songs, studio outtakes, rehearsal tracks, alternate working versions of familiar hits--including the complete "Like A Rolling Stone" session--and more. The Best of The Cutting Edge 1965-1966: The Bootleg Series Vol.12 is available in a 2CD or 3 12" vinyl LP set and brings together some of the musical high points of the deluxe and super-deluxe collections. An 18CD Collector's Edition of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 will be available exclusively on BobDylan.com. Limited to a worldwide pressing of only 5,000 copies, this 18CD edition will include every note recorded during the 1965-1966 sessions, every alternate take and alternate lyric. All previously unreleased recordings have been mixed, utilizing the original studio tracking tapes as the source, eliminating unwanted 1960s-era studio processing and artifice. The 18CD edition includes Dylan's original nine mono 45 RPM singles released during the time period, packaged in newly created picture sleeves featuring global images from the era. The limited edition includes rare hotel room recordings from the Savoy Hotel in London (May 4, 1965), the North British Station Hotel in Glasgow (May 13, 1966) and a Denver, Colorado hotel (March 12, 1966) as well as a strip of original film cels from "Don't Look Back." The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 comes with an annotated book featuring hundreds of rare and never-before-seen photographs and memorabilia and new essays penned especially for the collection by Bill Flanagan and Sean Wilentz.  Generally regarded as three of the most important and influential albums of the golden era of 60's rock, Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde (a double album) were written and recorded across a span of merely 14 months (from January 1965 through March 1966) with producers Tom Wilson (Bringing It All Back Home, "Like A Rolling Stone") in New York and Bob Johnston in New York (Highway 61 Revisited) and Nashville (Blonde On Blonde). BobDylan.com Bob Dylan The Best of The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 DISC 1 1. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic 2. I’ll Keep It with Mine - Take 1 (1/13/1965) piano demo 3. Bob Dylan’s 115th Dream - Take 2 (1/13/1965) solo acoustic 4. She Belongs to Me - Take 1 (1/13/1965) solo acoustic 5. Subterranean Homesick Blues - Take 1 (1/14/1965) alternate take 6. Outlaw Blues - Take 2 (1/13/1965) alternate take 7. On the Road Again - Take 4 (1/14/1965) alternate take 8. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic 9. If You Gotta Go, Go Now - Take 2 (1/15/1965) alternate take 10. You Don’t Have to Do That - Take 1 (1/13/1965) solo acoustic 11. California - Take 1 (1/13/1965) solo acoustic 12. Mr. Tambourine Man - Take 3 (1/15/1965) with band, incomplete 13. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) alternate take 14. Like a Rolling Stone - Take 5 (6/15/1965) rehearsal 15. Like a Rolling Stone - Take 11 (6/16/1965) alternate take 16. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) unreleased take 17. Medicine Sunday - Take 1 (10/5/1965) early version of Temporary Like Achilles 18. Desolation Row - Take 2 (8/4/1965) piano demo 19. Desolation Row - Take 1 (8/4/1965) alternate take DISC 2 1. Tombstone Blues - Take 1 (7/29/1965) alternate take 2. Positively 4th Street - Take 5 (7/29/1965) alternate take 3. Can You Please Crawl Out Your Window - Take 1 (7/30/1965) alternate take 4. Just Like Tom Thumb’s Blues - Take 3 (8/2/1965) rehearsal 5. Highway 61 Revisited - Take 3 (8/2/1965) alternate take 6. Queen Jane Approximately - Take 5 (8/2/1965) alternate take 7. Visions of Johanna - Take 5 (11/30/1965) rehearsal 8. She’s Your Lover Now - Take 6 (1/21/1966) rehearsal 9. Lunatic Princess - Take 1 (1/27/1966) 10. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) alternate take 11. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966) alternate take 12. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) alternate take 13. Absolutely Sweet Marie - Take 1 (3/7/1966) alternate take 14. Just Like a Woman - Take 4 (3/8/1966) alternate take 15. Pledging My Time - Take 1 (3/8/1966) alternate take 16. I Want You - Take 4 (3/10/1966) alternate take 17. Highway 61 Revisited – Take 7 (8/2/1965) false start All tracks previously unreleased except Disc 1, track 2, Biograph; Disc 1, track 8, The Bootleg Series, Volume 1-3. Bob Dylan The Cutting Edge 1965-1966: The Bootleg Series Vol. 12 (6 CD Deluxe Edition)  DISC 1: 1. Love Minus Zero/No Limit - Take 1 (1/13/1965) acoustic, incomplete 2. Love Minus Zero/No Limit - Take 2 (1/13/1965) acoustic 3. Love Minus Zero/No Limit - Take 3 remake (1/13/1965) acoustic 4. Love Minus Zero/No Limit - Take 1 remake (1/14/1965) electric 5. I’ll Keep It with Mine - Take 1 (1/13/1965) piano demo, previously released on Biograph, 1985 6. It’s All Over Now, Baby Blue - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vol. 7, 2005 7. Bob Dylan’s 115th Dream - Take 1 (1/13/1965) acoustic, incomplete 8. Bob Dylan’s 115th Dream - Take 2 (1/13/1965) acoustic 9. She Belongs to Me - Take 1 (1/13/1965) solo acoustic 10. She Belongs to Me - Take 2 Remake (1/13/1965) acoustic 11. She Belongs to Me - Take 1 Remake (1/14/1965) electric 12. Subterranean Homesick Blues - Take 1 (1/13/1965) solo acoustic, previously released on The Bootleg Series, Vol. 1-3, 1991 13. Subterranean Homesick Blues - Take 1 remake (1/14/1965) electric 14. Outlaw Blues - Take 1 (1/13/1965) solo acoustic 15. Outlaw Blues - Take 2 Remake (1/13/1965) electric 16. On the Road Again - Take 1 (1/13/1965) solo acoustic 17. On the Road Again - Take 4 (1/14/1965) electric 18. On the Road Again - Take 1 remake (1/15/1965) electric 19. On the Road Again - Take 7 remake (1/15/1965) electric 20. Farewell, Angelina - Take 1 (1/13/1965) solo acoustic, previously released The Bootleg Series, Vol. 1-3, 1991 21. If You Gotta Go, Go Now - Take 1 (1/13/1965) solo acoustic 22. If You Gotta Go, Go Now - Take 2 (1/15/1965) electric 23. You Don’t Have to Do That - Take 1 (1/13/1965) solo acoustic, incomplete DISC 2: 1. California - Take 1 (1/13/1965) solo acoustic 2. It's Alright, Ma (I'm Only Bleeding) - Take 1 (1/15/1965) acoustic, demo 3. Mr. Tambourine Man - Takes 1 - 2 (1/15/1965) incomplete, with band 4. Mr. Tambourine Man - Take 3 (1/15/1965) incomplete, with band 5. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 1 (6/15/1965) 6. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 8 (6/15/1965) 7. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 (7/29/1965) 8. It Takes a Lot to Laugh, It Takes a Train to Cry - Take 3 remake (7/29/65) 9. Sitting on a Barbed Wire Fence - Take 2 (6/15/1965) 10. Tombstone Blues - Take 1 (7/29/1965) 11. Tombstone Blues - Take 9 (7/29/1965) previously released on The Bootleg Series, Vol. 7, 2005 12. Positively 4th Street - Takes 1-3 (7/29/1965) 13. Positively 4th Street - Take 4 (7/29/1965) 14. Positively 4th Street - Take 5 (7/29/1965) 15. Desolation Row - Take 1 (8/4/1965) 16. Desolation Row - Take 2 (8/4/1965) piano demo 17. Desolation Row - Take 5 remake (8/2/1965) 18. From a Buick 6 - Take 1 (7/30/1965) 19. From a Buick 6 - Take 4 (7/30/1965) released in error on first pressing of Highway 61 Revisited, 1965 DISC 3: 1. Like a Rolling Stone - Take 1-3 (6/15/1965) 2. Like a Rolling Stone - Take 4 (6/15/1965) 3. Like a Rolling Stone - Take 5 (6/15/1965) 4. Like a Rolling Stone - Rehearsal (6/16/1965) 5. Like a Rolling Stone - Take 1 (6/16/1965) 6. Like a Rolling Stone - Takes 2-3 (6/16/1965) 7. Like a Rolling Stone - Take 4 (6/16/1965) released on Highway 61 Revisited, 1965 8. Like a Rolling Stone - Take 5 (6/16/1965) 9. Like a Rolling Stone - Take 6 (6/16/1965) 10. Like a Rolling Stone -Take 8 (6/16/1965) 11. Like a Rolling Stone - Takes 9-10 (6/16/1965) 12. Like a Rolling Stone - Take 11 (6/16/1965) 13. Like a Rolling Stone - Take 12 (6/16/1965) 14. Like a Rolling Stone - Take 13 (6/16/1965) 15. Like a Rolling Stone - Take 14 (6/16/1965) 16. Like a Rolling Stone - Take 15 (6/16/1965) 17. Like a Rolling Stone - Master take - lead guitar isolated track 18. Like a Rolling Stone - Master take - vocal and guitar isolated track 19. Like a Rolling Stone - Mast take - drums and organ isolated track 20. Like a Rolling Stone - Master take - piano and bass isolated track DISC 4: 1. Can You Please Crawl Out Your Window - Take 1 (7/30/1965) 2. Can You Please Crawl Out Your Window - Take 17 (7/30/1965 released in error on the first pressing of Positively 4th Street single 3. Highway 61 Revisited - Take 3 (8/2/1965) 4. Highway 61 Revisited - Take 5 (8/2/1965) 5. Highway 61 Revisited - Take 7 (8/2/1965) 6. Just Like Tom Thumb’s Blues - Take 1 (8/2/1965) 7. Just Like Tom Thumb’s Blues - Take 3 (8/2/1965) 8. Just Like Tom Thumb’s blues - Take 13 (8/2/1965) 9. Queen Jane Approximately - Take 2 (8/2/1965) 10. Queen Jane Approximately - Take 5 (8/2/1965) 11. Ballad of a Thin Man - Take 2 (8/2/1965) incomplete 12. Medicine Sunday - Take 1 (10/5/1965) 13. Jet Pilot - Take 1 (10/5/1965) Previously released on Biograph, 1985 14. I Wanna Be Your Lover - Take 1 (10/5/1965) 15. I Wanna Be Your Lover - Take 6 (10/5/1965) 16. Unknown Instrumental - Take 2 (10/5/1965) 17. Can You Please Crawl Out Your Window - Takes 5-6 (11/30/1965) 18. Visions of Johanna - Take 1 (11/30/1965) 19. Visions of Johanna - Take 5 (11/30/1965) DISC 5: 1. Visions of Johanna - Take 7 (11/30/1965) 2. Visions of Johanna - Take 8 (11/30/1965) previously released on The Bootleg Series, Vol. 7, 2005 3. Visions of Johanna - Take 14 (11/30/1965) 4. She’s Your Lover Now - Take 1 (1/21/1966) 5. She’s Your Lover Now - Take 6 (1/21/1966) 6. She’s Your Lover Now - Take 15 (1/21/1966) previously released on The Bootleg Series, Vol. 1-3, 1991 7. She’s Your Lover Now - Take 16 (1/21/1966) solo piano 8. One of Us Must Know (Sooner or Later) - Take 2 (1/25/1966) 9. One of Us Must Know (Sooner or Later) - Take 4 (1/25/1966) 10. One of Us Must Know (Sooner or Later) - Take 19 (1/25/1966) 11. Lunatic Princess - Take 1 (1/27/1966) 12. Fourth Time Around - Take 11 (2/14/1966) 13. Leopard-Skin Pill-Box Hat - Take 3 (2/14/1966) 14. Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966) DISC 6: 1. Stuck Inside of Mobile with the Memphis Blues Again - Take 1 (2/17/1966) 2. Stuck Inside of Mobile with the Memphis Blues Again - Rehearsal (2/17/1966) 3. Stuck Inside of Mobile with the Memphis Blues Again - Take 5 (2/17/1966) previously released on The Bootleg Series, Vol. 7, 2005 4. Stuck Inside of Mobile with the Memphis Blues Again - Take 13 (2/17/1966) 5. Stuck Inside of Mobile with the Memphis Blues Again - Take 14 (2/17/1966) 6. Absolutely Sweet Marie - Take 1 (3/7/1966) 7. Just Like a Woman - Take 1 (3/8/1966) 8. Just Like a Woman - Take 4 (3/8/1966) 9. Just Like a Woman - Take 8 (3/8/1966) 10. Pledging My Time - Take 1 (3/8/1966) 11. Most Likely You Go Your Way (And I’ll Go Mine) - Take 1 (3/9/1966) 12. Temporary Like Achilles - Take 3 (3/9/1966) 13. Obviously 5 Believers - Take 3 (3/10/1966) 14. I Want You - Take 4 (3/10/1966) 15. Sad-Eyed Lady of the Lowlands - Take 1 - (2/16/1966) BobDylan.com   ean-Michel Jarre wordt beschouwd als een van de pioniers van elektronische muziek en zijn nieuwe album “Electronica Part 1: The Time Machine” (release 16/10/2015) is zijn meest ambitieuze project tot nu toe. Hij beschrijft zijn werk als een encyclopedie van de elektronische muziek. “Electronica” is een project dat bestaat uit 2 luiken,waarvan het tweede deel uitkomt in de lente van 2016. Jarre ging voor dit album aankloppen bij oa AIR, Massive Attack, Moby,Tangerine Dream, John Carpenter, Gesaffelstein, Vince Clarke (Depeche Mode,Erasure), M83, Boys Noize, Pete Townshend (The Who), Armin van Buuren etc.. JMJ: "I've wanted to tell a story for a while regarding electronic music history and its legacy from my point of view and experience, from when I started to nowadays. So I planned to compose for and collaborate with an array of artists who are, directly or indirectly linked to this scene, with people I admire for their singular contribution to our genre, that represent a source of inspiration for me over the last four decades I have been making music, but who also have an instantly recognisable sound. At the outset, I had no idea how this project would evolve, but I was delighted that everybody I reached out to accepted my invitation." De Franse producer stond er tijdens het maken van dit album op om met elke collaborator heel nauw samen te werken: hij maakte de basis van de song, liet hen dan ieder hun ding doen met het nummer, waarna ze samen het nummer afwerkten. Moby: "It would be very easy for him to sit in Paris and just email with people and have them send things back. But to actually physically go to sit down with every one, on multiple occasions—to be in a studio with people and really push them to almost look at different parts of themselves as musicians… I think that really will make this album quite interesting. To me, it’s not just about electronic music collaborations, it’s about humans coming together and collaborating in a very unique way.”
 In wereldpremière op het grote scherm op 22 oktober 2015.
2015 was ongetwijfeld het jaar van Ed Sheeran. De artiest boekte succes na succes met als kers op de taart een reeks uitverkochte concerten in het Wembley stadium in juli dit jaar. Die concerten worden nu gebundeld in Sheeran’s allereerste concertfilm Jumpers for Goalposts. “Jumpers for Goalposts” “Why would you call it that?” “Because we keep movin’em” Jumpers for Goalposts komt niet alleen uit op DVD, maar zal op 22 oktober ook te zien in cinemazalen over de hele wereld. De debuutconcertfilm van ’s werelds meest bekende singer-songwriter laat natuurlijk niet onopgemerkt aan zich voorbij gaan: op Leicester Square in Londen vindt met de première een uniek cinema-evenement plaats, inclusief rode loper en een exclusieve showcase van Ed Sheeran himself. Ook die liveshow zullen fans op 22 oktober via een livestream kunnen meevolgen vanuit een bioscoopzaal in hun eigen land. Video https://www.youtube.com/watch?v=iR4nF18vyTk&feature=youtu.be&eml=2015September24/2742238/6011938&etsubid=36261728 Jumpers for Goalposts bundelt de mooiste momenten van Ed’s drie uitverkochte shows in het Wembley Stadium in juli dit jaar, waar hij speelde voor maar liefst 80.000 uitgelaten fans. Je krijgt zijn allergrootste hits als “The A Team”, “Sing” en “Thinking Out Loud” te zien, maar ook een verrassingsduet met de grote Elton John staat op de film. Naast een adembenemende reeks podiummomenten toont de concertfilm beelden van het leven on the road en mag de kijker binnen piepen in de backstage. Ed Sheeran deelt in Jumpers for Goalposts zijn persoonlijke avontuur en blikt openhartig terug op de veelbewogen periode waarin hij zijn dromen verwezenlijkte. Met dit cinema-evenement wil Ed Sheeran fans van over de hele wereld uitnodigen om deel te nemen aan de première van zijn eerste concertfilm en samen met hem zijn succes te vieren, voor hij zijn doelen onvermijdelijk opnieuw verlegt. Tickets voor de première zijn vanaf vandaag te koop via www.edsheeranmovie.com. De film zal in België te zien zijn in Kinepolis Antwerpen, Brussel, Hasselt, Leuven, Luik, Imagibraine en Kortrijk. Verkrijgbaar via Warner Music
 Op zaterdagavond 26 september stelt JackoBond u met grote trots hun vierde album voor "Ik tel tot tien" , en dit in De Roma .
JackoBond is singer-songwriter Riet Muylaert, omring door 3 fantastische muzikanten Tim Vandenbergh, Florejan Verschueren en Karel De Backer. Tel tot tien, doe je ogen dicht , je zal wel zien. Een liefdevolle avond over loslaten, over stilstaan om het leven en de melancholie ervan. Met steeds de liefde als antwoord . www.deroma.be of 03/292.97.40 http://www.deroma.be/  Rollermania is (kinda) back. The Bay City Rollers, Scotland’s tartan-touting ‘70s pop phenomenon who scored chart-topping hits on both sides of the Atlantic, is returning as a three-piece.
The reunited act features three of the group’s classic five-man lineup -- Les McKeown, Alan Longmuir and Stuart Wood -- who promised “a very special Christmas present to all the fans that have kept the faith with the band over the years” with a gig at Glasgow’s Barrowland Ballroom on Dec. 20. Announcing the reunion at a press conference in Glasgow, singer McKeown told reporters, "You think we're doing it for money but we're doing it for the glory of Scotland and the glory of the tartan. "Taking the Scottish name all around the globe. That's what we're doing it for -- to see our fans again one more time." According to reports, they’ve been working on a new single, "Boomerang" and original bandmate Eric Faulkner is in the frame to rejoin the group sometime in the future. The band, first known as the Saxons, scored a No. 1 hit on the Billboard Hot 100 with ‘Saturday Night’ in 1976, one of its three top 10s in the U.S. In the U.K., the group enjoyed No. 1s with ‘Bye Bye Baby’ and ‘Give a Little Love’ (both from 1975) and saw ten songs hit the Top 10. The band split in 1981. In 2007, six members of the Bay City Rollers launched a lawsuit accusing Arista Records of failing to pay millions of dollars in royalties. That legal case remains unresolved. All told, the Rollers is said to have sold more than 100 million career albums during its career. (Bron: Billboard.com)  It's been a spell since we've heard new music from Jermaine Jackson. A star as a member of the Jackson clan and also as a solo artist -- particularly in the 1980s when he had a series of big hits like ‘Let's Get Serious’ and ‘Do What You Do’.
Jermaine toured with his brothers over the past few years as a family act, but it is terrific to hear him back on record. And he ends the glorious summer season with a song that pays homage to some of its best moments. ‘Summer Time Feeling’ is a breezy acoustic number that captures the warm evening vibe of Smokey's ‘Cruisin'’ and features Beach Boys-worthy rich harmonies. It is a surprise release from the veteran soul man, but a welcome one. Gather your loved one near you and catch a ‘Summer Time’ feeling with Jermaine Jackson. (Bron: Soultracks.com)
‘The Waiting Room' breathes gravity and features guest appearances by Jehnny Beth of Savages and a particularly poignant duet with dear lost friend of Stuart Staples, Lhasa De Sela. Its brass arrangements are by the great Julian Siegel and it comes dressed in a sleeve by legendary french photographer Richard Dumas.
Not only an album, an ambitious collaborative film project also - each track is accompanied by a short film, a visual interpretation by it's own director, featuring Christoph Girardet, Pierre Vinour, Claire Denis, Rosie Pedlow and Joe King, Gregorio Graziosi, Richard Dumas and Gabriel Sanna. See and listen to the premiere track 'We are Dreamers!' here with the short film by Brazilian director Gabriel Sanna. ‘The Waiting Room’ will be available as a limited edition cd/dvd, lp /dvd and very limited clear vinyl LP/DVD through City Slang and a Konkurrent distribution. Tracklist 01 Follow Me 02 Second Chance Man 03 Were We Once Lovers? 04 Help Yourself 05 Hey Lucinda 06 This Fear of Emptiness 07 How He Entered 08 The Waiting Room 09 Planting Holes 10 We are Dreamers! 11 Like Only Lovers Can Track 5 featuring Lhasa De Sela Track 10 featuring Jehnny Beth Release date: 22 January 2016 The Waiting Room Film Project live events 11 February - Clermont-Ferrand, FR @ Clermont-Ferrand ISFF 13, 14 February - Berlin, DE @ Volkesbhune 17, 18, 19 April – Paris, FR @ Le Bouffes du Nord 27 April – Copenhagen, DK @ Chp Pix 29 April – London, UK @ The Barbican 30 April - 8 May - Music Beyond Mainstream, UK tour Tindersticks Live 20/03/16: Bourla, Antwerpen 21/03/16: Bourla, Antwerpen 22/03/16: Het Depot, Leuven Complete tour dates here www.cityslang.com www.tindersticks.co.uk www.facebook.com/tindersticksofficial www.twitter.com/tindersticksUK https://instagram.com/tindersticksuk/
Goed nieuws: dankzij Ryan Adams staat ‘1989 toch weer op Spotify, nadat Swift al haar werk eerder dit jaar terugtrok van de streamingdienst. Het album kan je hier beluisteren: http://spoti.fi/1LHR1rT
Eerder deze maand zetten Koen, Kris en een vijftigtal figuranten Hotel NH Gent Belfort op stelten voor de opname van de bijhorende videoclip. Fans kunnen hierin de Wauters-broers als rebellerende bell-boys aan het werk zien en toekijken hoe ze alle hotelgasten en personeel op sleeptouw nemen voor een swingend feestje doorheen de gangen van het hotel. De videoclip zal begin oktober haar première krijgen op de Facebookpagina van de band.
'Zin om te Bewegen' is de voorloper van een nieuw studio-album dat we in het voorjaar van 2016 mogen verwachten. Het laatste album tot nu toe, 'Clouseau', verscheen in november 2013 en kwam er na een muzikale sabbatperiode van drie jaar. Het album was het best verkochte Nederlandstalige album van 2014 en het vijfde best verkochte album van het jaar. Meer dan 35.000 exemplaren gingen over de toonbank (platinum). 'Clouseau' bevatte o.a. de hitsingles 'Vliegtuig', 'Kan Het Niet Alleen' en 'Laatste Keer'. 2014 was een succesjaar voor Clouseau met twee MIA-Awards (Beste Nederlandstalig en Beste groep), maar liefst vier uitverkochte Sportpaleizen en een uitgebreide tournee doorheen Vlaanderen. Ook 2016 belooft een goedgevuld jaar te worden: naast een gloednieuw studio-album staat er opnieuw een indrukwekkende concerttour in de stijgers met haltes aan o.a. het Kursaal van Oostende, de Antwerpse Stadsschouwburg, het Capitole in Gent, de Oktoberhallen in Wieze en vele andere. Alle info vind je op http://tttartists.be/artists/clouseau/agenda. Opwarmen mogen de heren al tijdens het éénmalige benefietconcert 'Clouseau & Van Geel', georganiseerd in de Lotto Arena op 25 november ten voordele van Rode Neuzen Dag. Binnenkort verkrijgbaar via Warner Music  Lauren Wilde is back producing for Engelbert Humperdinck on what is expected to be a country album from the music legend.
Wilde has previous produced Rod Stewart (American Songbook series), Carly Simon (Moonlight Serenade) and Art Garfunkel (Some Enchanted Evening). He previously worked with Engelbert on 'Engelbert Calling' (2014) as vocal producer as well as his 2007 release 'The Winding Road'. Engelbert's country roots can be traced back to his very first hit 'Release Me' in 1967. The song was 21 years old by the time Engelbert got hold of it and made it his own. Eddie Miller wrote 'Release Me' in 1946. Miller could not find anyone to record the song so he recorded it himself in 1947. In 1954 the song was recorded by Ray Price. While not his first record, it became his breakthrough record reached no 6 in the USA. Engelbert Humperdinck recorded 'Release Me' in 1967. It reached no 1 on the UK charts and stopped The Beatles 'Penny Lane/Strawberry Fields Forever' from topping the British charts for the first time since 1963. Engelbert Humperdinck will tour Australia in October and November for Bluehawk Presents. (Bron: Music-News.com)  TICKETS VANAF VANDAAG TE KOOP VIA SHERPA VRIJDAG 20 MEI 2016 Kursaal Oostende ZATERDAG 11 JUNI 2016 Stadsschouwburg Antwerpen Zopas ging het zesde studioalbum ‚Open’ én de afgeleide eerste single ‚Open je hart’ van Nick & Simon in release. Drie jaar na hun platina album ‚Sterker’, is het Nederlandse duo terug met de opvolger om ‚u’ tegen te zeggen. Nick & Simon werkten samen met hun vaste producer Gordon Groothedde maandenlang intensief samen, om de juiste tracks voor ‚Open’ te selecteren en op punt te zetten. Ze deden onder andere inspiratie op tijdens hun laatste reis naar Ierland en Engeland (in het kader van hun succesvolle tv-programma ‚The Dream’). ‚Open’ kan het best worden bestempeld als een Nederlandstalig popalbum, waarop de sound van Nick & Simon een sterke metamorfose doormaakt. Bij een kersvers album horen uiteraard ook live optredens van het duo. En dus gaan Nick & Simon samen weer op tour, met een show waarin ze tracks van hun nieuwste album zullen spelen, afgewisseld met hun grootste hits. Een Benelive Entertainment organisatie  Vandaag brengen DANI KLEIN & SAL LA ROCCA het album ‘Dani sings Billie’ uit. Van de totstandkoming van dit unieke hommage project werd een making of gedraaid die je HIER kan bekijken. Gisteren stelden Dani Klein en co het album voor in DE ROMA in Antwerpen en vandaag ligt ‘Dani sings Billie’ in de winkel. Ontdek het album op itunes: http://smarturl.it/DaniSingsBillieIT Bestel de CD of vinyl LP op Bol.com: http://smarturl.it/DaniSingsBillieBol Samen met Sal La Rocca (bas), William Lecomte (piano) en Tim De Jonghe (trompet), 3 gerenommeerde jazzmuzikanten die jarenlang deel uitmaakten van Vaya Con Dios, brengt Dani Klein de opgewekte nummers uit het rijk gevulde repertoire van Billie Holiday. Dani Klein wil hiermee haar grote waardering uiten voor de legendarische Amerikaanse jazz zangeres die in 2015 honderd jaar oud zou zijn geworden. Vergeleken met Vaya Con Dios is ‘Dani Klein & Sal La Rocca’ een intieme formule, met topmuzikanten en een klassiek jazz repertoire van één van haar favoriete zangeressen, maar wel één die bijzonder spannend en uitermate gezellig is. Het volgende concert is op 6 december in de AB. Volg Dani Klein en Sal La Rocca op facebook: https://www.facebook.com/DaniKleinSalLaRocca   Artiest: The Corrs
Titel: White Light Releasedatum: 27/11/2015 The Corrs are back and it’s like they’ve never been away. Ireland’s finest, played a triumphant show, their first for ten years, in Hyde Park on Sunday. They release a brand new studio album November 27th on East West Records, and kick off a UK tour January 19th at the Birmingham Genting Arena. This is their first major album release since ‘Borrowed Heaven’ in 2004 and the subsequent world tour. The Corrs – Andrea (lead vocals), Sharon (violin, vocals), Caroline (drums, piano, vocals), Jim (guitar, piano, vocals)- have sold over 30 million albums since their 1995 debut ‘Forgiven Not Forgotten ’. The sound of the Corrs is unique, an enchanting mix of traditional Celtic music with a pop rock twist. Over the last ten years they have spent time with their families while Sharon and Andrea also pursued solo careers. For most of this year, they have been working in London on their forthcoming new album ‘White Light’.  There's a real treat in store for British indie fans this month as we celebrate Alan McGee's iconic Creation Records label with a fantastic 5CD Box Set 'Artifact' which is scheduled for release on 25th September... "When we started Creation, I was twenty three so we made it up as we went along - most of the first batch were mates I had met through my club the Living Room.” Alan McGee. Creation Records was one of the most important, vital independent labels of the 80s and 90s, born in the post-punk era and progressing to define the Britpop generation. The label evolved out of a hip London club night and won the plaudits with a string of limited edition 7” singles and a handful of albums – including the acclaimed debut ‘Upside Down’ by The Jesus & Mary Chain. During this period 1983-1985, the label also issued vinyl by Primal Scream (their debut 45), The Pastels, The Bodines, The Loft, The Membranes, The Jasmine Minks et al. Released on 25th September, Creation Artifact is the first comprehensive box set devoted to the early years of Creation Records. Housed in a lavish ‘book’ set, Creation Artifact pays tribute to that seminal period with two discs comprising early A’s and B’s, a third CD of rarities and album tracks, another comprising previously unissued demos and a fifth disc of rare BBC sessions. Creation Records felt like a colourful antidote to the grey, doom-laden masses which were littering the Indie charts. In place of monochrome post-punk or morbid goth rock, Creation Records’ output was colourful and sexy, meshing the excitement of punk with the melodic qualities and musical flourishes of 60s freakbeat and psychedelia. In Alan McGee, Creation had a founder with true musical vision and ambition. Awash with rare memorabilia, a 12,000-word essay from journalist Neil Taylor, band biographies, personal reminiscences and numerous archive finds, Creation Artifact is the ultimate tribute to the dawn of Creation Records 1983-1985. Creation Artifact follows the Record Store Day 2015 Creation Records 45 (10?7?) box set - the first 10 Creation Records singles released between 1983 and 1984 presented in a deluxe lift off lid box and replica sleeves with a booklet containing reminiscences from the artists.  Pre order here:
http://shop.cherryred.co.uk/shopexd.asp?id=5140 TRACK LISTING: DISC 1: SINGLES 1. THE LEGEND! - ‘73 In’83 2. THE LEGEND! - You (Chunka Chunka) We’re Glamorous 3. THE LEGEND! - Melt The Guns 4. THE REVOLVING PAINT DREAM - Flowers In The Sky 5. THE REVOLVING PAINT DREAM - In The Afternoon 6. BIFF BANG POW! - Fifty Years Of Fun 7. BIFF BANG POW! - Then When I Scream 8. THE JASMINE MINKS - Think! 9. THE JASMINE MINKS - Work For Nothing 10. THE PASTELS - Something Going On 11. THE PASTELS - Stay With Me Till Morning 12. THE X-MEN - Do The Ghost 13. THE X-MEN - Talk 14. BIFF BANG POW! - There Must Be A Better Life 15. BIFF BANG POW! - The Chocolate Elephant Man 16. THE JASMINE MINKS - Where The Traffic Goes 17. THE JASMINE MINKS - Mr Magic 18. THE LOFT - Why Does The Rain 19. THE LOFT - Like 20. THE LOFT - Winter * 21. THE LEGEND! - The Legend! Destroys The Blues 22. THE LEGEND! - Arrogant Bastards 23. THE X-MEN - Bad Girl 24. THE PASTELS - Million Tears 25. THE PASTELS - Surprise Me 26. THE PASTELS - Baby Honey * Bonus track DISC 2: SINGLES 1. THE JESUS AND MARY CHAIN -Upside Down 2. THE JESUS AND MARY CHAIN - Vegetable Man 3. THE LOFT - Up The Hill And Down The Slope 4. THE LOFT - Your Door Shines Like Gold 5. THE LOFT - Lonely Street 6. THE LOFT - Time 7. THE BODINES - God Bless 8. THE BODINES - Paradise 9. PRIMAL SCREAM - All Fall Down 10. PRIMAL SCREAM - It Happens 11. THE JASMINE MINKS - What’s Happening 12. THE JASMINE MINKS - Black & Blue 13. MEAT WHIPLASH- Don’t Slip Up 14. MEAT WHIPLASH - Here It Comes 15. FIVE GO DOWN TO THE SEA? - Singing In Braille 16. FIVE GO DOWN TO THE SEA? - Aunt Nelly 17. FIVE GO DOWN TO THE SEA? - Silk Brain Worm Women 18. THE MOODISTS - Justice And Money Too 19. THE MOODISTS - You’ve Got Your Story 20. THE MOODISTS - Take Us All Home 21. THE PASTELS - I’m Alright With You 22. THE PASTELS - Couldn’t Care Less 23. THE PASTELS - What It’s Worth 24. BIFF BANG POW! - Love And Hate * 25. THE WEATHER PROPHETS -Worm In My Brain * * Bonus tracks DISC 3: RARITIES & ALBUM 1. THE LAUGHING APPLE - Participate! 2. THE LAUGHING APPLE - Wouldn’t You? 3. THE REVOLVING PAINT DREAM - In The Afternoon (Early Vsn) 4. THE JASMINE MINKS - The Thirty Second Set Up 5. THE JASMINE MINKS - Somers Town 6. BIFF BANG POW! - Fifty Years Of Fun (Almost Live Version) 7. BIFF BANG POW! - Waterbomb! 8. J.C. BROUCHARD with BIFF BANG POW! - Someone Stole My Wheels 9. J.C. BROUCHARD with BIFF BANG POW! - Sunny Days 10. THE JESUS AND MARY CHAIN - Upside Down (Demo Version) 11. THE JESUS AND MARY CHAIN -Just Like Honey (Oct 84 Demo) 12. THE BODINES - God Bless (Alternative Version) 13. THE MEMBRANES - I Am Fish Eye 14. THE MEMBRANES - Gift Of Life ALIVE IN THE LIVING ROOM: 15. THE JASMINE MINKS - Seven And Seven Is 16. THE JUNE BRIDES - I Fall 17. THE LEGEND! - Arrogant Bastards 18. THE THREE JOHNS - A.W.O.L. 19. THE LOFT - Your Door Shines Like Gold 20. THE MEKONS - Rock’n’Roll Shoes 21. THE LEGEND! & HIS SWINGING SOUL SISTERS - Sweet Soul Music 22. THE JASMINE MINKS - Green Fuz 23. ALTERNATIVE TV - Lonely Lenny BONUS TRACKS 24. TELEVISION PERSONALITIES - A Picture Of Dorian Gray (live) 25. TELEVISION PERSONALITIES - The Dream Inspires (live) * 26. TELEVISION PERSONALITIES - Family Affair (live) * * = previously unissued DISC 4: DEMOS 1. THE JASMINE MINKS - All Fall Down * 2. THE JASMINE MINKS - Work * 3. THE JASMINE MINKS - Second Post * 4. THE LEGEND! - Boredom (Is) * 5. MEAT WHIPLASH - Losing Your Grip * 6. MEAT WHIPLASH - Always Sunday * 7. MEAT WHIPLASH - Walk Away * 8. THE LEGEND! - Victorian Values * 9. THE X-MEN - Home * 10. THE X-MEN - Planet Of The X * 11. THE MOODISTS - The Train From Kansas City * 12. THE MOODISTS - The Day They All Wake Up * 13. THE MOODISTS - I Guess I’m Dumb * 14. THE LEGEND! - Social Protest (By Numbers) * 15. THE JASMINE MINKS - Mr Magic * 16. THE JASMINE MINKS - Friends * 17. THE LEGEND! - Do You Remember * 18. BIFF BANG POW! - Lost Your Dreams (Demo) 19. BIFF BANG POW! - I’m Okay Me (Demo) 20. THE LEGEND! - Picture The Scene * 21. THE X-MEN - A Tryst For Liszt * 22. THE X-MEN - Stone Cold One Note Mind * 23. THE JASMINE MINKS - Choice * 24. THE JASMINE MINKS - Everybody’s Got To Grow Up Sometime * * = previously unissued DISC 5: BBC SESSIONS 1. THE X-MEN - The Witch (John Peel 13/9/1984) 2. THE X-MEN - Little Girl (John Peel 13/9/1984) 3. THE X-MEN - Xtramental (John Peel 13/9/1984) 4. THE LOFT - On A Tuesday (Janice Long 9/12/1984) 5. THE LOFT - Skeleton Staircase (Janice Long 9/12/1984) 6. THE LOFT - The Canal And The Big Red Town (Janice Long 9/12/1984) 7. THE LOFT - Lonely Street (Janice Long 9/12/1984) 8. THE MOODISTS - Other Man (John Peel 10/7/85) 9. THE MOODISTS - Bullet Train (John Peel 10/7/85) 10. THE MOODISTS - Take The Red Carpet Out Of Town (John Peel 10/7/85) 11. THE MOODISTS - Justice And Money Too (John Peel 10/7/85) 12. MEAT WHIPLASH - Loss (John Peel 28/10/1985) 13. MEAT WHIPLASH - Walk Away (John Peel 28/10/1985) 14. MEAT WHIPLASH - Eat Me To The Core (John Peel 28/10/1985) 15. MEAT WHIPLASH - She Comes Tomorrow (John Peel 28/10/1985) 16. THE BODINES - Scar Tissue (Janice Long 13/10/1985) 17. THE BODINES - Therese (Janice Long 13/10/1985) 18. THE BODINES - William Shatner (Janice Long 13/10/1985) 19. THE BODINES - The Back Door (Janice Long 13/10/1985) BONUS TRACKS 20. THE LOFT - Beware (Live) 21. THE LOFT - Wide Open Arms (Live) 22. THE LOFT - Worm In My Brain (Live) 23. THE LOFT - Up The Hill And Down The Slope (Live) MIKE OLDFIELD'S “THE SPACE MOVIE” ORIGINAL SOUNDTRACK TO BE RELEASED ON CD FOR THE FIRST TIME!19/9/2015  London, UK - GONZO Multimedia will be releasing a newly restored and (finally) complete edition of Mike Oldfield and Tony Palmer's “The Space Movie.” For the very first time the original soundtrack featuring all the talk-back between the astronauts and ground control, as well as orchestral versions of music by Mike Oldfield will be released on CD!
This classic film was originally commissioned by London Weekend Television and Virgin Films in 1979 to mark the 10th Anniversary of the first landing on the moon, July 21st 1969. A recent discovery of a print in mint condition has enabled us to issue the film in a sparkling new (and complete!) edition. Producer Tony Palmer explains, “The invitation to make the film came out of the clear blue sky from NASA in January 1978. I was invited to Washington and shown the mountain of film NASA had collected from the very beginnings with John Glenn, the first astronaut to orbit the earth in February 1962, until Apollo 17 December 1972. Use whatever I wanted, I was told, plus all the talk-back between ground control in Houston and the various space missions. NASA's extraordinary and spectacular images made me realize I had access to a treasure house beyond imagination. “From the beginning, I wanted Mike Oldfield to write the music, and the soundtrack which emerged – a combination of hitherto unreleased recordings including the orchestral versions of Oldfield's early masterpieces, 'Tubular Bells' and 'Hergest Ridge' - is remarkable, perfect in every way; evocative, powerful, an inspiring match for the images. And I'm sure it is that, plus of course the astonishing NASA footage and the sound of the astronauts chatting away in space. Virgin Films may have long gone, but together these elements made and make the film what it is - something rather special.” At a Gala Screening in the Egyptian Cinema in Hollywood in 2008, the film was introduced by Buzz Aldrin, the second man to walk upon the moon. He said: “It gives me enormous pleasure, and a thrill, to be able to introduce Tony Palmer's remarkable film about our space adventures. I say remarkable because at the time it was made, 1978/9, very little of the footage you are about to see had ever been seen in public, images which are now so familiar as to be truly iconic. But it was Tony who used them first, and we are very pleased that he did, even if he did construct the longest take-off in history! I still get a chill hearing some of the talk-back which, like the footage, NASA had provided for Tony to use. When the rocket takes off, boy is that a roller-coaster ride, bumpy as hell. So when you hear my voice saying 'little bit of shaking there', you'll know what I mean! So thank you Tony for what you did.” The distinguished film critic Alexander Walker said after the first screenings: “The best British film screened at Cannes (in 1980) was Mike Oldfield and Tony Palmer's 'The Space Movie', with unique footage from NASA and music by Mike Oldfield. Palmer’s film combines both in a wonderful, at times profoundly moving, tribute to the astronauts from Cape Kennedy. The film includes one of the finest space launches ever collated, with footage that is unbelievably spectacular. Full marks to director Tony Palmer. The result is breathtaking, beautiful and brilliant.” This version comes complete with Director's Cut BONUS DVD of the movie. Release Date: 16th October 2015 An exclusive screening of the 80-minute restored version of “The Space Movie” will be held at Cinema 2 at The Barbican in London on Sunday 15th November at 6 pm. http://www.barbican.org.uk/film/new-cinemas  One of the most eagerly awaited Prog albums of 2015 will be released in September by The Aaron Clift Experiment! Titled “Outer Light, Inner Darkness”, this is the second CD by the Austin ensemble and marks a musical plateau for the group with its intricate compositions, complex arrangements and virtuosic performances! Band leader, Aaron explains, “ 'Outer Light, Inner Darkness' is a concept album about duality: light vs. darkness, individual vs. group, hope vs. despair, etc. Songs in the first half of the album detail the conflict between these opposing forces, while the songs in second half of the album are a journey toward reconciling the extremes. The album culminates with 'Bathed in Moonlight,' a song about how humanity can learn to embrace its outer light and inner darkness and become one with both sides of its nature.” Watch the new video for "Kissed By The Sun": https://www.youtube.com/watch?v=diGuQDBOGTo Just as scientists conduct experiments by using their knowledge to explore the unknown, The Aaron Clift Experiment combines elements of classic and cutting-edge music into an innovative whole. The band's unique songs draw from a wide range of influences – from classic progressive rock acts like Genesis, Pink Floyd, and Rush to modern groups like Porcupine Tree and Opeth to classical and jazz composers like Beethoven, Schubert, and John Coltrane. Aside from its diversity, The Aaron Clift Experiment is dedicated to producing soulful, powerful music and an intense live show. In 2012, the band released its critically acclaimed debut album, “Lonely Hills,” to rave reviews from both fans and the music press and was named one of the best unsigned bands of 2013 by Prog Magazine. With the release of the band's second album, “Outer Light, Inner Darkness” in September 2015, The Aaron Clift Experiment continues to lead the way in fusing the sophistication and depth of classical music with the passion and raw power of rock and roll. What began as an idea of how to create music has now blossomed into a full-fledged experiment. The band invites you to join them in this experiment as they embark on their new path. Says Aaron, “Although The Aaron Clift Experiment started as my solo project, 'Outer Light, Inner Darkness' marks the birth of ACE as a full-fledged band. Unlike the first album, in which I wrote all the songs and arrangements, the songwriting and arranging process for the second album was a largely collaborative process, with all of the band members contributing elements to the sound that makes the album our most diverse to date. One of the fun challenges of co-writing between me and my band mates is that we all have very distinct songwriting styles and music preferences. As a result, we all pushed each other to write outside of our comfort zones. Sometimes this could be disorienting process, but in the end, it helped us write our strongest songs to date. The song, 'Aoide, Goddess of Song,' was in a way my commentary on what it can be like to come up with brand new music.” Here's what the press has raved about The Aaron Clift Experiment: “The Aaron Clift Experiment strikes a nerve right away . . . pleasing as well as entertaining for the ears and mind, a true prog experience.” - Closet Concert Arena “There is a journey to be taken while listening to The Aaron Clift Experiment’s songs, and for me that is one of the most appealing aspects of progressive music.” - Dr. Music’s Weekly Checkup “The Aaron Clift Experiment has great melodies. . .the music is tight and controlled.” - Austin Mix Tape Featuring:
In support of the new CD release, The Aaron Clift Experiment filmed a new music video for the album's lead single, “Kissed by the Sun.” The video, which debuted early September, coincided with their August 27 album release show in Austin. Next year, they're looking to play some progressive rock festivals, particularly in Europe. To purchase Aaron Clift Experiment's “Outer Light, Inner Darkness” CD: www.aaronclift.com/shop For more information: http://aaronclift.com 
Wie krijgt de kooi open?
Op vrijdag 18 september (station Brussel Centraal) en zaterdag 19 september (Wijnegem Shopping Center), biedt deze reuze vogelkooi de David Gilmour fans bovendien de kans om een exclusieve trip naar Londen te winnen naar het eerste Londense concert van zijn uitverkochte Europese tour op 23 september in de prestigieuze Royal Albert Hall. De uitdaging is om het slot van de vogelkooi virtueel te openen, iets wat kennis vraagt van David Gilmours muziek en leven. Wie wil deelnemen zal op één van de twee data naar Brussel of Antwerpen moeten afzakken om aan de kooi een unieke code af te halen waarmee je toegang krijgt tot www.rattlethatlock.be. Wijnegem Shopping Center zal bovendien het nieuwe album heel de dag draaien om de aanwezigen met het album kennis te laten maken. De ‘Reuzen van Borgerhout’ stonden in voor de bouw van het meer dan 4 meter hoge zeshoekige gevaarte. Voor de titeltrack en tevens eerste single van het album samplede David Gilmour de gekende openingstune van de Franse spoorwegen SNCF. De song zelf is gebaseerd op het beroemde 17de eeuwse gedicht “Paradise Lost” van de Britse dichter John Milton. Kom zeker een kijkje nemen van de vogelkooi: 18 september: 7u tot 19u - Station Brussel Centraal (Europakruispunt 2) 19 september: 10 tot 18u - Wijnegem Shopping Center (Turnhoutsebaan 5, 2110 Wijnegem)  “James Morrison was one of the first UK artists I looked to when I was becoming a singer myself.
His voice is simply incredible. I’m actually not sure, even with all his success, he’s ever had the full credit for his talent.” - John Newman “James is one of my earliest inspirations. Amongst everything that was going on in pop music, to suddenly hear a voice that delicate, that soulful and that powerful behind just an acoustic guitar was everything I'd been waiting for.” - James Bay Having spent the last four years away from the limelight, and following the release of his new single ‘Demons’ last Thursday, James Morrison makes a welcome return with his fourth studio album ‘Higher Than Here’, out 30th October through Island Records. The songs on the new album create a subtle balance between revealing the pain and difficulties that Morrison has experienced in his recent personal life, and the soundtrack to those lazy Sunday mornings that, will make you dance, smile and reflect. Album opener and lead single ‘Demons’ sets the scene; The rousing track, written about resisting the little voices in your head trying to take you down, has Morrison’s signature soulful vocal over a high pitched loop that altogether makes for a rich, uplifting and contemporary sound. Elsewhere, further standout songs include ballads, ‘Stay Like This’ and ‘Too Late For Lullabies’ which are reminiscent of Morrison’s much loved sound but with a touch of American gospel. Beyond the more familiar are tracks like ‘I Need You Tonight’, easily the most unexpected track on the album; it’s big, ballsy and potentially his first dance floor smash. James was recently given an amazing welcome back when he played his first live shows since 2011 - Two nights at Wilton’s Music Hall and one night at the Tabernacle in London - where he debuted some of his forthcoming new tracks, and all of which sold out in a matter of seconds. The Evening Standard agreed that James was back at his best, calling his return the “uplifting comeback of a spirited soul man”. When James broke onto the scene as a soulful singer-songwriter in 2006, even he couldn’t have predicted that he would become the template that allowed a wave of likeminded musicians to enter the field. He was also famously told by the veteran soul producer Jerry Wexler that his raspy, gravelly voice, the product of a childhood illness, had its "own thumbprint" and was so distinctive that “once heard, never forgotten”. Now, almost a decade on, Ed Sheeran, George Ezra and James Bay are all ruling the charts following the same format; one guy with just a guitar and an incredible voice. Despite his self-deprecation and humble nature, he was the first to take that format and not only make it work but also became an overnight success story. Pop gems like ‘You Give Me Something’ from his first record ‘Undiscovered’, made him anything but, and he won the 2007 BRIT Award for Best Male when he was still just 21 years old. James has gone on to sell over 4.5 million copies of his first three albums, performed four world tours including sold-out shows to thousands at London’s Hyde Park, supporting both Bruce Springsteen and Stevie Wonder and appeared on Herbie Hancock’s Grammy-winning album ‘The Imagination Project’. 2008’s ‘Songs for You, Truths for Me’ brought with it a string of Top Ten singles, including the phenomenally catchy ‘Broken Strings’ with Nelly Furtado, with his last album, 2011’s ‘Awakening’ shooting straight to Number One, selling over one million copies worldwide. By going back to where he started James has created a collection of his most honest, powerful, insightful and triumphant songs to date, best summed-up in the chorus to the lead single from his new album: ‘I’ve got demons trying to get to me…But they’ll never take me down’ |
