PIXIES ANNOUNCE NEW ALBUM THE NIGHT THE ZOMBIES CAME DUE FOR RELEASE 25 OCTOBER 2024 VIA BMG Today Pixies announce their brand new studio album, The Night the Zombies Came, due for release in time for Halloween on 25th October via BMG. 35 years since their groundbreaking Platinum-certified album Doolittle catapulted the band into the UK Top Ten, and 20 years since their celebrated reformation at Coachella, Pixies are deep into their second act, and in the midst of a creative purple patch. The Night the Zombies Came is Pixies’ tenth album, if you count their classic 1987 4AD mini LP Come On Pilgrim, and first new music since 2022’s acclaimed Doggerel LP. 13 new songs that find Pixies looking ahead to the most cinematic record of their career. Songwriter, vocalist and guitarist Black Francis explains: “Fragments that are related and juxtaposed with other fragments in other songs. And in a collection of songs in a so-called LP, you end up making a kind of movie.” Druidism, apocalyptic shopping malls, mediaeval themed restaurants, 12th century poetic form, surf rock, gargoyles, bog people, and the distinctive dry drum sound of 1970s era Fleetwood Mac are just some of the disparate wonders that inform the new songs. Testament to this kaleidoscopic vista is the new song ‘Chicken’. Released today, songwriter Black Francis personifies poultry, dealing with decapitation and feeling like an actor of Zombie movies as Joey Santiago’s impulsive lead guitar takes flight. The Night the Zombies Came will also include ‘You’re So Impatient’, the brand new single with AA-side ‘Que Sera, Sera’ which saw Pixies described as “alt-rock gods” by Steve Lamacq on BBC 6 Music and tipped as “huge new singles” by the NME. For the new album recording sessions the band returned to work with producer Tom Dalgety, who drummer David Lovering refers to as “a fifth Pixie” after producing 2016’s Head Carrier, 2019’s Beneath the Eyrie and 2022’s Doggerel. Early on in the recording process at Guilford Sound studio in Vermont, the band noticed the new songs were dividing into two camps: what they came to call the “Dust Bowl Songs” - country-tinged, ballad-esque numbers such as ‘Primrose’ and ‘Mercy Me’, and on the other side, the album’s furious punk numbers such as ‘You’re So Impatient’ and ‘Oyster Beds’. Only ‘Jane (The Night the Zombies Came)’ keeps its feet in both camps — reminiscent of early 60s Phil Spector, the band hitting the sweet spot between mushy and abrasive, it’s a track that Black Francis allegedly likened to being chased by a swarm of bees. The Night the Zombies Came sessions also saw Pixies welcoming new bass player Emma Richardson (Band Of Skulls) to the line up; the first British band member to join the group. There’s also an expanded role for guitarist Joey Santiago. After contributing his first-ever Pixies lyrics on Doggerel, for the new record Santiago wrote the words to ‘Hypnotised’ by completing a complex lyrical riddle of sorts, known as a sestina. The Night the Zombies Came is released on 25 October via BMG on black vinyl, CD, digital download and on streaming platforms. The Night the Zombies Came Tracklisting 1 Primrose 2 You're So Impatient 3 Jane (The Night the Zombies Came) 4 Chicken 5 Hypnotised 6 Johnny Good Man 7 Motoroller 8 I Hear You Mary 9 Oyster Beds 10 Mercy Me 11 Ernest Evans 12 Kings of the Prairie 13 The Vegas Suite The news of The Night the Zombies Came arrives amidst a packed touring schedule set to take in circa 70 live shows across the world through 2024 - with even more dates to be announced for 2025. The band just wrapped a tour across North America with Modest Mouse and Cat Power, and are playing through Europe before returning to the UK in August for a run of already sold out headline shows at Glasgow Academy and Halifax’s Piece Hall. Major festival performances at London’s All Points East, Victorious, and headline shows at Galway Airport, Belfast’s Custom House Square and Dublin’s RDS Simmonscourt. The upcoming concerts mark Pixies’ second visit to the UK this year after sold out dates celebrating the Bossanova and Trompe Le Monde albums, which included a three-night residency at London’s Kentish Town Form. Looking ahead, Pixies will head for New Zealand and Australia in November for stadium gigs with Pearl Jam, closing what’s set to be a monumental year for one of the world’s most influential, revered and deeply adored bands. LIVE August 4 - Ronquieres Festival, Braine-le-Comte, Belgium August 5 - Lokerse Feesten, Lokeren, Belgium August 7 - Den Atelier, Luxembourg [SOLD OUT] Snowgoose return with their third album "Descendant" - a deep dive into love, loss, and the spaces between Acclaimed psych folk band Snowgoose is set to release their eagerly awaited third album, "Descendant," on October 18 2024 on Violette Records. Known for their rich blend of folk and psych influences, Snowgoose invites listeners into a profound narrative of human emotion, meticulously crafted by the core duo of Jim McCulloch and Anna Sheard along with their talented ensemble of Scottish indie royalty. About Snowgoose and "Descendant" Snowgoose, formed by the seasoned talents of Jim McCulloch (The Soup Dragons, Isobel Campbell and BMX Bandits) and the ethereal vocals of Anna Sheard, has been a notable presence in the Glasgow music scene since their debut in 2012. "Descendant" continues their exploration of intricate musical landscapes, delving into themes of love, loss, and the fleeting moments of life. Anna describes the album: "Descendant explores the delicate interplay between the joys of love and the inevitability of loss. Each song navigates the complex emotions that connect these experiences, serving as a reflection on the beauty and pain of impermanence." The Album and Its Collaborators Recorded at Chem 19 Studios in Glasgow, "Descendant" captures the raw, unfiltered essence of Snowgoose’s sound. The album features contributions from Raymond McGinley (Teenage Fanclub) on guitar, Chris Geddes (Belle and Sebastian) on keyboards, Stevie Jones (Arab Strap) on bass guitar, Tim Davidson (Tracyanne & Danny) on pedal steel, Stuart Kidd (BMX Bandits) drums, and Adam Stearns (Trembling Bells) drums and percussion, enhancing the textured, emotive layers that define the band's music. Critical Acclaim Snowgoose has consistently garnered praise for their musical depth and emotive songwriting. Uncut Magazine described their earlier work as "spellbinding," while The Scotsman praised Anna's vocals for invoking "the spirit of Sandy Denny, a soothing instrument no matter what sorrow she is imparting." Snowgoose "Descendant" track list:
Better Listen Salix The Fall Down the Line Good Medicine Sorrow Bewildered Dance Fugue State Call For Peace Descendant Wings of Glory www.snowgoose.me.uk/ Multi-Blues Music Award-Winner Horn Player Extraordinaire Jimmy Carpenter "Just Got Started"24/7/2024
Multi-Blues Music Award-Winner Horn Player Extraordinaire Jimmy Carpenter Just Got Started New Gulf Coast Record Album Set for Release September 13, with First Singles: My Babe - August 2; I Only Gamble With My Heart - August 16; and (Feels Like) I Just Got Started – August 30 Las Vegas-based Jimmy Carpenter is on a roll. The saxophonist/singer/songwriter is a perennial favorite at the annual Blues Music Awards in Memphis, having been voted in the “Best Instrumentalist/Horn” category with seven nominations and two wins. Now, he proves he’s Just Got Started, with the upcoming release of his new album on September 13. Just Got Started was recorded in March at Greaseland Studios in San Jose, California, and was produced, engineered, mixed and mastered by Christoffer "Kid" Andersen. "Jimmy Carpenter continues to be a stand-out artist in the contemporary Blues genre. His songwriting is on point and his voice is front and center,” says Gulf Coast president Mike Zito. “Arguably one of the best sax players around, his artistry on this new record has come together to make the circle complete." “When my dear friend Mike Zito asked if I'd be interested in working with producer Kid Andersen at Greaseland Studios for my third Gulf Coast Records release, my answer was an immediate and empathic ‘YES!,” recalls Carpenter. “Kid has done some very fine work with several friends of mine, and I love those records. “I love Soul music, and my idea for this one was to lean in that direction. Still Blues-based, but also song oriented and funky cool with a kind of vintage soul vibe. I told Kid that, and he immediately said ‘Yes, we can do that!’ “The week before the session I was a little nervous, and called my friend Albert Castiglia, who had just recorded there. He gave me some very good advice: ‘Jimmy, just trust Kid, he has a plan;’ and he was so right. And the plan was to take my songs and put them in the capable hands of some of the finest musicians on the planet, which worked out very well.” The lineup of musicians for the new disc is loaded with all-stars: Jimmy Carpenter - Sax and Vocals; Christoffer “Kid” Andersen – Guitar; Jim Pugh – Keys; Derrick D'mar Martin - Drums and Percussion; Jerry Jemmott - Bass: tracks 1-4, 7-10, 12; Bobby Vega - Bass: tracks 5, 6, 11; Guitar: tracks 4, 9; Christoffer “Kid” Andersen - Organ: tracks 3, 5-8,11; Fender Rhodes - track 6; Background Vocals - track 7; Endre Tarczy - Piano: track 2; Mike Galisatus – Trumpet: tracks 2, 6, 9, 10; Jack Sanford - Bari Sax: tracks 2, 6, 9, 10; Lisa “Little Baby” Andersen - Background Vocals: tracks 6, 11; Dwayne Morgan - Background Vocals: tracks 1, 2, 5; Walter Morgan - Background Vocals: tracks 1, 2, 5; and James Morgan - Background Vocals: tracks 1, 2, 5. “The title track, ‘(Feels Like) I Just Got Started,’ is my attempt to use the last set of a night as a metaphor for my life in music,” explains Carpenter.” I've been at this a very long time and honestly, my career is at its high point; it's not ebbing, it's flowing! I really do feel in many ways like I'm just getting started. There's a line in the bridge, ‘Don't blink or you'll miss it!’ and that is a fact! “Living in Vegas, people often ask if I'm a gambler. My stock answer is always - I only gamble with my heart. That's been banging around my head for years, and I finally wrote the song. It has the advantage of being true, and that gamble has paid off nicely here in Sin City. “There are nods to some of the Blues icons: a very different version of Little Walter's ‘My Babe;’ a nice cover of Otis Rush's ‘Working Man;’ a nod to Delbert McClinton, one of my favorite people, and his song ‘Leap of Faith’ (Lisa ‘Li'l Baby’ Andersen absolutely crushes that one); as well as a super funky version of Allen Toussaint's ‘Night People.’ “And for the first time I was able to record not one, but two tunes from my saxophone hero, King Curtis: ‘Soul Theme’ and ‘Midnight Blue.’ In kind of a full circle thing, bass player Jerry Jemmott was King Curtis' bassist, so I felt kind of a cosmic connection to him as we recorded those, and of course, Jerry's bass lines were perfect. “This album is very different than the previous five; more groovy and soulful, but not overdone. The musicianship really brings it home, and I could feel the love as we recorded it. I'm playing these songs live, and from the reaction we're getting, I think the people dig it! I am so grateful for Kid's steady hand and unparalleled guitar work, Jerry Jemmott, Derrick D'Mar Martin, Jim Pugh, Bobby Vega, and Lisa Andersen for taking really good care of me and my songs... And of course, Mike Zito and everyone at Gulf Coast for this opportunity. I Just Got Started, and I still got a long way to go!” About Jimmy Carpenter: Jimmy relocated to Las Vegas from New Orleans in September, 2015. He has since steadily built an audience here, fronting his own quartet and becoming one of the mainstay artists at the world-famous Sand Dollar Lounge. His shows are high-energy and sax-centric, with a mixture of original and cover songs with a soul, r&b, blues and rock-n-roll vibe. His current band in addition to guitar hero Chris Tofield includes bass players Jason Langley or Aja Wilson; and drummers Cameron Tyler or David Kida, longtime drummer with Rod Piazza. In addition to local shows, Jimmy Carpenter tours worldwide Jimmy is also the Talent Buyer and Musical Director of The Big Blues Bender, the annual Las Vegas festival that has quickly grown into one of the most popular in the world. In addition to booking the talent, he leads the house band, called The Bender Brass, which has backed up a long list of musicians over the years, and is the backing band for the annual HART Party, which benefits the Blues Foundation’s Handy Artist Relief Trust. The Bender was given the coveted Keeping the Blues Alive Award for that event, which has raised over $440,000 for the fund, and hoping to hit $500,000 this year. In addition to winning the Blues Music Award twice, he also won a Grammy for a New Orleans funeral dirge he wrote years ago with the help of co-writers Craig Klein and Wardell Quezergue, aka The Creole Beethoven. The piece, entitled “Tomb Tune,” appears on the Grammy-winning album Atmosphere, by the New Orleans Nightcrawlers. Jimmy is also President of the Las Vegas Blues Society. Under his tenure, and with the invaluable assistance of the LVBS Board, the organization has grown to nearly 500 members. During the pandemic the LVBS distributed approximately $10,000 to musicians in Las Vegas. The regular monthly jams have grown into rollicking events, drawing many jammers and crowds of listeners. There are numerous special events as well, including their annual Ma’am Jam, featuring all female musicians, The Boulder City Beerfest, and the GramJam, which featured 15 Grammy nominees/winners. Just Got Started Track Listing
(Feels Like) I Just Got Started - Jimmy Carpenter & Kid Andersen My Babe - Willie Dixon I Only Gamble With My Heart - Jimmy Carpenter Jimmy Shimmy - Jimmy Carpenter Shining Star - Leo Graham & Paul Richmond Night People - Allen Toussaint Live Again - Jimmy Carpenter Soul Theme - Curtis Ousley Keep On Stepping - Jimmy Carpenter Working Man - Mike Bloomfield & Nick Gravenites Leap of Faith - Glen Clark & Gary Nicholson Midnight Blue - Curtis Ousley Website: https://jimmycarpenter.net/ Facebook: https://www.facebook.com/jimmycarpenteronsax Instagram: https://www.instagram.com/jimmyonsax/ John Mayall, Britse bluesrocklegende en Rock and Roll Hall of Fame-inductee van 2024, overlijdt op 90-jarige leeftijd. Muzikant John Mayall, vaak aangeduid als de "peetvader van de Britse blues," wiens bands uit de late jaren '60 en vroege jaren '70 enkele van de meest opmerkelijke rockinstrumentalisten van die tijd bevatten, is maandag thuis in Californië overleden, volgens een verklaring die door zijn familie op zijn sociale media-accounts is geplaatst. Hij was 90 jaar oud. Onder de fans en organisaties die hun condoleances betuigden, was de Rock and Roll Hall of Fame, die van plan was hem in oktober in haar gelederen op te nemen. Hoewel hij niet deel uitmaakte van de standaard stemronde, had de commissie hem dit jaar gekozen om opgenomen te worden onder de Musical Influence Award, samen met Alexis Korner en Big Mama Thornton. Er werd geen doodsoorzaak gegeven in de eerste verklaring van de familie, hoewel er wel werd verwezen naar Mayall's recente gezondheidsproblemen. "Met pijn in ons hart brengen wij het nieuws dat John Mayall gisteren, 22 juli 2024, vredig is overleden in zijn huis in Californië, omringd door zijn liefhebbende familie," aldus de verklaring. "Gezondheidsproblemen die John dwongen zijn epische tourcarrière te beëindigen, hebben eindelijk geleid tot rust voor een van 's werelds grootste road warriors." Gospel legends Blind Boys of Alabama and Blues Hall of Famer Bobby Rush have joined forces on a recording for the first time. The historic collaboration on the sacred soul classic “99 And ½ Won’t Do” features legendary artists with six-decade careers in American music, with proceeds benefiting the Mid-South Food Bank in Memphis, TN. This year, both Bobby Rush and the Blind Boys of Alabama received GRAMMY Awards. The Blind Boys also appeared on the Today Show in April, performed with Tom Jones, and are set to receive an Americana Music Award Lifetime Achievement Award this fall. A rehearsal video of the Blind Boys recently went viral, amassing over eight million views across various platforms. Joining the recording are Dom Flemons, hailed as "one of the most accomplished American Folk Artists" by MOJO, and the beloved folk-rock band Dustbowl Revival. The artists and producers involved have won a combined eleven GRAMMY Awards. The release marks the ten-year anniversary of DeLia’s 72 Music Management. The song was co-produced by GRAMMY-winning producer Colin Linden (known for his work with Bob Dylan, Keb’ Mo’, T-Bone Burnett, and as music director for ABC’s Nashville) and manager Jeff DeLia. In this new version, the artists' unique voices blend seamlessly in a call-and-response arrangement, with Bobby Rush leading the call and the chorus of artists responding. “99 And 1/2 Won’t Do” is a traditional song previously recorded by artists such as Sister Rosetta Tharpe, Mavis Staples with Ry Cooder, Steve Cropper, Creedence Clearwater Revival, Hezekiah Walker, Wilson Pickett, and Eddie Floyd. Larkin Poe introducing their latest artistic creation to the world: "Bluephoria". This song delves into the duality of the human experience, exploring the deepest, quietest places where bitterness and sweetness intertwine, and where suffering and joy forge meaning together. The official Bluephoria video is out now too, filmed at Jack White’s The Blue Room in Nashville. TWEE JAAR NA ZIJN UITVERKOCHTE SHOW IN VORST NATIONAAL, KEERT BOB DYLAN TERUG NAAR BELGIË OP 29 OKTOBER 2024 VOOR EEN NIET TE MISSEN CONCERT IN DE LOTTO ARENA IN ANTWERPEN De algemene ticketverkoop start op vrijdag 19 juli om 10u via www.gracialive.be Bob Dylan's "Rough and Rowdy Ways Tour", die al sinds 2021 aan de gang is, gaat ook verder in de herfst van 2024 en zal halt houden in verschillende Europese steden, waaronder Antwerpen! Het concert in Antwerpen (Lotto Arena) op 29 oktober biedt ook zijn Nederlandse fans een unieke kans om hem live te zien, aangezien hij tijdens deze tournee niet optreedt in Nederland.
Een telefoonvrije avond voor de ultieme concertervaring: Hoe gaat dit in zijn werk? Fans hoeven hun smartphone echter niet thuis te laten, want er worden speciale, beveligde telefoonhouders voorzien waarin ze hun gsm veilig aan hun zijde kunnen bewaren. Zodra je in de zaal aankomt, zal Yondr (het telefoonhoesjesbedrijf) zijn medewerkers inschakelen om je te helpen je telefoon in een vergrendeld en veilig hoesje te steken, dat je de hele avond bij je houdt. De reden achter deze telefoonvrije ervaring? Het creëren van telefoonvrije concerten tijdens eerdere Bob Dylan tours toont aan dat dit voor een betere concertervaring zorgt: Wanneer we de technologische prikkels waar we vandaag de dag gewoon aan zijn geworden achterwege laten, zijn onze ogen terug meer gefocust op de omgeving en onze zintuigen alerter. Joanne Shaw Taylor Releases New Single "Wishing Well" Following Acclaimed Album "Heavy Soul" Following the critically acclaimed release of her latest studio album, Heavy Soul, which debuted at #2 on the Billboard Blues Album chart, celebrated blues-rock guitarist and singer-songwriter Joanne Shaw Taylor has delighted fans with a special new single, "Wishing Well." This powerful cover of Free’s hit song is now available on all major streaming platforms. Originally written by the members of Free about their close friend Bevan T. Woodhouse, "Wishing Well" quickly climbed the UK Singles Chart, reaching number 7 on January 13, 1973. Featured on the band’s sixth and final studio album, Heartbreaker, it was Free’s last hit single before the group disbanded, with Paul Rodgers and Simon Kirke going on to form Bad Company. "I’ve been a massive Free fan since I was a teenager," Joanne shares. "It’s a very hard band to cover because it doesn’t really need covering; it was already perfect in the first place. I was a little bit nervous about it because I put Free on a pedestal. But I enjoyed it. I look forward to the challenge of recreating it similar to the original and paying homage to that, but also doing it in my own sort of style." The release of "Wishing Well" follows Joanne’s latest album, Heavy Soul, which has been hailed as a landmark in her career. The album showcases her evolution from blues roots to incorporating soulful pop influences. Critics have praised Heavy Soul for its raw talent and authenticity, solidifying Joanne Shaw Taylor’s place as a dynamic force in the music world. New York Blues Hall of Fame inductee Bette Smith returns with her third studio album, ‘Goodthing’ – a powerful infusion of soul music and gospel into rock & roll. Produced by Grammy-winning producer Jimmy Hogarth (Amy Winehouse, James Bay, Paulo Nutini, Sia), the album highlights Bette Smith’s knack for anthemic, feel-good Soul Rock, driven by her signature raspy, soulful vocals reminiscent of legends like Tina Turner, Aretha Franklin, and Etta James. Drawing from her childhood experiences in the tough neighborhood of Bedford-Stuyvesant, Brooklyn, Bette blends the soul music she heard on street corners with the gospel music from her church and home, influenced by her mother’s preference for gospel greats such as Mahalia Jackson and Reverend James Cleveland. ‘Goodthing’ marks a new pinnacle in her musical journey, building on the acclaim of her 2017 debut ‘Jetlagger’ and 2020’s ‘The Good, The Bad, and The Bette’. With her immense vocal range and the album’s infectious energy, Bette Smith solidifies her place as a vibrant and authentic rising soul artist, a true force in the music world. Tracks: 01. Goodthing 02. Happiness 03. Eternal Blessings 04. M.O.N.E.Y 05. Neptune 06. Whup ‘Em Good 07. Time Goes Slower 08. Darkest Hour 09. More Than A Billionaire 10. Lived And Died A Thousand Times 11. Beautiful Mess 12. Cave 13. No More Love Songs Website: https://www.bettesmith.com/ It’s Always Happy Hour When Multi Blues Award Nominated Boogie Woogie Man Mitch Woods Hits the Keys with His Rocket 88s on His New Album on MoMojo Records! On September 6th, MoMojo Records will release Happy Hour, the new album from five-time Blues Music Award nominee Mitch Woods. The new disc features a baker’s dozen 13 tracks from the San Francisco Bay Area-based Woods, backed by his long-time band, The Rocket 88s. Mitch Woods and his Rocket 88s have been the torchbearers of a great American blues musical heritage for four decades. Taking their inspiration from the great jump ‘n' boogie outfits of the late ‘40s and early ‘50s, they breathe fresh life into the music that gave birth to rock ‘n' roll. Adding a healthy dose of New Orleans rhythm and blues, his trademark pile-drivin' piano, and some of his own playful lyrics, Woods and the 88s forge their own brand of music they call "rock-a-boogie."
Happy Hour, Woods' fourteenth album, is a collection of his all-original tunes recorded at Greaseland Studios in San Jose, California, with Mitch Woods producing, and Christoffer "Kid" Andersen, engineering and mastering. The resulting music captures the joy that live music brings. MVD Distribution is handling physical distribution for Happy Hour, with digital distribution by The Orchard. “Happy Hour was recorded during the time of the Covid Lockdown,” recalls Mitch Woods about the sessions. “The whole world shut down and music stopped. It was an awful time for everyone and musicians really were hurt. I could never imagine after devoting my whole life to making music that it would just stop within two days and last three years! “We all felt it deeply and people are still rebounding. Fortunately, I was able to gather my Rocket 88s together and - masked and inoculated - we gathered at the legendary Greaseland Studios, manned at the helm by madman and musical genius- Chris “Kid” Andersen who joined us on guitar as well. “It felt so good to be able to play music again, even if it was in a studio with no live audience. I decided to break out my most popular original tunes that I have performed for decades and record them in a new light with new arrangements. We are all so thankful that live music is back and we hope this album captures that spirit. So pour yourself a tall one, sit back, and enjoy Happy Hour!” Since its inception in October, 2022, MoMojo Records (a division of Nola Blue, Inc.) has been serving a diverse segment of independent roots artists connected by the quality of artistry rather than confined by genre boundaries. The guiding label credo, "distribution is more than delivery," has proven both valuable and worthy of expanded focus. MoMojo artists are provided the flexibility of DIY distribution, combined with thoughtful, personalized attention, all with careful consideration for each project's unique needs and budget. "Mitch Woods has been a well-respected member of the blues community for decades, working with some of the finest on the scene," says Sallie Bengtson, MoMojo Records president. "We're certain that the 'rock-a-boogie' sounds of his latest project will be a welcome addition to many happy hours!" "I am excited to be part of MoMojo and working with a great team," says Woods. "I know Sallie and company will give my latest release careful attention and help get it into blues and boogie lovers' hands!" Get all the news at mitchwoods.com and follow him on Facebook, Instagram, Twitter and YouTube @mitchwoods88. Mitch Woods – Happy Hour Track Listing and Credits 1. Jukebox Drive 3:49 2. Long, Lean, and Lanky 3:09 3. Broke 3:53 4. Boogie Woogie Bar-B-Q 3:29 5. Cryin’ For My Baby 5:42 6. Shakin’ the Shack 3:58 7. Amber Lee 4:32 8. Mr. Boogie’s Back In Town 3:09 9. Jump For Joy 5:30 10. Hattie Green 4:57 11. Queen Bee 4:38 12. Mojo Mambo 3:51 13. Solid Gold Cadillac 3:32 All songs Mitch Woods Mitchrich Music /BMI Recorded at Greaseland Studios, San Jose, CA Producer - Mitch Woods; Engineering and mastering - Kid Andersen Musicians Mitch Woods - piano, vocals Kid Andersen - guitar Larry Vann - drums Dave Somers - saxophones Kedar Roy – bass |
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