Love album dedicated to grandmother Netty (and also her personal experiences).
Brigitte Purdy is a upcoming star with phenomenal vocal skills on soulful blues rock compositions. Great album!  

Strong album that invites you to attend a live performance.

A beautiful blend of styles; in a certain way eclectic with traditional elements.  Great album!

Delta Generators are primarily a brilliant live band, but with full-length albums like ‘On & On’ they confirm their status as a top band. Unlike the previous record, which was more of a collection of great songs, this new release ‘On & On’ stands on its own as a completely cohesive work. Highly recommended!

The reason why you’ve probably never heard of Ben Brandt? Well, we're talking about a still relatively young guitarist who previously played in the somewhat rougher Soul Miners Union and already had an EP to his name before releasing this album. Although his former band originated from Harrisburg, Brandt has clearly drawn most of his inspiration from the Nashville music scene. The 11 songs on this album – including the three tracks that each form part of the highly enjoyable yet brief instrumental jam session 'Matthew's Tire' – are all original compositions and showcase Brandt's versatility as a rock and blues guitarist who is not afraid to add a touch of funk influence here and there. Backed by a rhythm section that is fairly tight by the standards of this genre, the listening experience is certainly enjoyable, and opening track 'Solid Ground' is immediately a catchy tune that manages to leave an impression rather quickly.
A song like 'Burning Bridges' slows the pace down for a smooth groove, while 'Parasite Blues' picks things up again with a lively tempo and an enjoyable backbeat. 'Under the Weight of Us' opens with a particularly tasty riff before moving in a more 'bluesy' direction, while 'The Seeker' brings to mind the blues music of the 1970s. The rhythm of 'Little Something', however, feels just a bit too similar to that of the preceding track. The album partially concludes with 'Scramblin (The Well)', which once again adds some welcome variety to the mix.
'Solid Ground' is a very solid debut with one major drawback: Ben Brandt's own voice. It's decent, but certainly nothing more than that, and it often sits too far back in the mix. Many listeners will likely appreciate that 'Matthew's Tire Pt. 1', '2', and '3' sound as though they were recorded quickly in a small venue and received very little mixing, but personally I don't think that 'garage sound' was really necessary, and I believe those tracks would have benefited from a more modern production as well.

The Canadian left-handed blues rocker Spencer Mackenzie may not be world-famous just yet, but he recently managed to secure both a Maple Blues Award and a JUNO nomination, and anyone who listens to his album 'Empty Chairs' will immediately understand why: this is pure, unfiltered blues rock, performed by a gifted guitarist who first picked up a guitar at the age of five and gradually found inspiration in legends such as Stevie Ray Vaughan and Joe Bonamassa.
There is also little doubt that the man has something to say and is (thankfully!) probably not just another Republican MAGA supporter playing blues rock. The title track is a protest against gun violence; a mid-tempo blues rocker featuring excellent lead guitar work and inspired by the Parkland shooting in Florida, in which 17 people lost their lives. It is a powerful song, but the rest of the album offers a wide range of textures, from the more upbeat 'Trip' (featuring a strong guitar riff and straightforward yet highly effective drumming) to the more commercial single 'What You Do' and the memorable 'Don't Know Where I'm Going'.
The optimistic 'Till I Get to You' breaks away from the preceding tracks by introducing more soul influences and keyboards, and works slightly less well as a result, but that is quickly remedied by the somewhat rougher 'Frozen Hearts', which relies on a particularly tasty guitar riff that beautifully supports its subject matter – children being separated from their parents and placed in residential institutions.
'Helping Hands' adds more blues influences, after which it takes a little while before we arrive at the even smarter 'Shoot Me Down', which, with its highly singable melodies, wonderful slide guitar, and darker atmosphere, ranks among the album's stronger tracks. This is certainly one I'll be returning to regularly.
After 'Won't Find Her' and closing track 'Evil', the conclusion is clear: 'Empty Chairs' has become a highly varied blues rock album featuring more than enough impressive guitar riffs and equally strong solos, all serving songs that are further elevated by Spencer Mackenzie's excellent and powerful vocal performance. He is undoubtedly an artist worth discovering live as soon as possible.

For this album Mick assembled his favorite team of musicians, beginning with producer and guitarist Jeff Jensen, teamed with a solid group of Memphis based musicians: James Cunningham, Bill Ruffino, Rick Steff, Tom Lonardo, Carl Casperson, Eric Hughes, Marc Franklin and Kirk Smothers. Joining them was harmonica ace Bob Corritore on a very special song.

​Sometimes it’s enjoy Sometimes it’s enjoyable to revisit an album after a long absence – especially when it gets a relaunch. 'Nine Yards' by West London–born blues singer Del Bromham was originally released in 2013 and is more straightforward than the progressive style the singer-guitarist displays with his band Stray. If that band can be described as a cross-pollination between Wishbone Ash, The Who, The Rolling Stones, Bad Company, and Budgie, then 'Nine Yards' leans much more toward calmer blues rock and boogie, with fewer heavy riffs than we’re used to hearing from Stray.
'The Ballad of JD' – an ode to whisky, it would seem – immediately suggests that there will still be plenty of electric enjoyment, but after 'Walking Down the Road' (which also features an organ) we already get the acoustic title track – coincidentally one of the less inspired songs on the album. From there the record moves through the bright-sounding 'Everybody Has to Sing the Blues' toward the sturdier blues rock of 'Words', whose second half contains one of the more creative solos and stronger instrumental passages of the entire album. Immediately afterward the pace eases again with the highly successful and very melodic acoustic 'Bring Them Home'.
The fragile, tormented 'Smiling Face' also embeds itself in the memory straight away. Del Bromham wrote the song for his daughter Zoe, who at the time was battling cancer, though we ourselves are not certain whether she ultimately survived that terrible disease. In any case, it is far from the only song on the album that revolves around family matters and social themes – just listen to the (understandably sentimental) 'Father and Daughter, Mother and Son'.
With 'What Comes Around' it’s time for foot-stomping: a cool harmonica riff, the snarling voice of co-singer Cherry Lee Mewis, and short, fiery solos ensure the song instantly sticks in the mind. 'You Don’t Know How I Feel' stands out in turn thanks to its sizzling instrumental second half (featuring a gripping guitar solo), although that makes the boogie of 'World in a Suitcase' feel slightly less in place.
The closing trio of songs consists of the amusing 'Bills', the pleasantly rhythmic 'Don’t Throw Your Love Away' (a nod to hardworking women), and the excellent, more forceful 'Catch You When You Fall' – a worthy final chord for an album that contains very few weaker tracks.

Very strong title track ‘This World,’ not to be missed! You will need the repeat button. 

Energetic, downright and open-hearted songs we all believe in. Wonderful bluesrock!

On July 25, 2025, Stef Paglia played at the Open Air Festival in Brezoi, Romania. Stef's band consisted of Tom Eylenbosch on Hammond and backing vocals, Carlo Van Belleghem on bass and Sven Bloemen on drums and backing vocals. The band had such a great time that it turned into a fantastic performance. Stef and his bandmates immediately decided to immortalize this performance on a CD. The album contains eight songs, six of which are originals from the EP ‘Light & Darkness’ and the album ‘Never Forget’. The other two tracks are The Meters' ‘Cissy Strut’ and Neil Young's ’Old Man’.
Opener ‘Stand Up!’ immediately reveals a well-oiled band, where the musical pieces fit together seamlessly. Stef is a master at coming up with catchy riffs, as can be heard on ‘The Unknown’, after which the accelerator is pressed a little less with ‘Take Away’ and ‘Warmth Instead Of Cold’. Things get funky when Sven’s drums put the instrumental ‘Cissy Strut’ on the rails, featuring a superb performance from Tom on Hammond. Stef then gets to showcase his impressive guitar playing on the inspiring, eight-minute instrumental ‘Mystery Heaven’, reminiscent of the first formation of Fleetwood Mac. The album closes in crescendo with the beautifully constructed ‘Old Man’.
‘Live’ is an album that offers plenty of variety. Alongside solid blues rockers are instrumental highlights that fully showcase Paglia's talent and craftsmanship.

​Powerful vocals on raw storytelling, really enjoyable album.

Call it blues rock, southern rock or roots:  it’s just fantastic fun.  Love it and you wil too!

Gerrit Veldman knows how to compose attractive bluessongs and to play with a lot of energy. The collaboration with Roland Bakker is a winner.

Garry has now created a unique, personal style. A style with interesting rhythms and changes, colored with many great blues-rock guitar tunes. Great stuff! 

A mystical guitar man from a bygone era, David M'ore arrived to L.A in the early 90's committed to alter the musical scene. Club goers and musicians begin to talk about the new kid with the virtuoso aggressive guitar style, raspy vocals, and his high energy fueled Blues-Rock tunes.

Vanja Sky ‘Access All Areas Live’, as the title already suggests, Vanja Sky lets her fans completely immerse themselves. Vanja Sky and her excelent band with Guenter Haas, Johannes Hoffmann and her long-time bassist Artjom Feldtser present a live recording that captures the pure concert magic. The show is recorded in 2024 at a sold-out concert in Germany. One hour and a half, a fascinating document that once again makes you want to see Vanja Sky on stage. This live album is much more than just a collection of songs, it is a statement that celebrates the young Croatian. An exciting, versatile live album that captures Vanja's passion on stage. 

British blues-rock sensation Joanne Shaw Taylor has announced the upcoming release of her highly anticipated 10th studio album, Black & Gold, arriving June 6th via Joe Bonamassa’s Journeyman Records. Reuniting with iconic producer Kevin Shirley (Iron Maiden, Journey, Joe Bonamassa), the album showcases Taylor’s bold creativity, blending blues-rock with influences from Americana, indie rock, and retro ‘80s pop. Black & Gold offers a captivating mix of heart-wrenching ballads and hard-hitting rock tracks that redefine the boundaries of blues music.

Outtakes is a retrospective album featuring nine previously unreleased tracks from Micke Bjorklof & Blue Strip. This unique collection contains songs, recorded over the years but for various reasons, were left off past albums, capture the band’s evolving sound and dedication to blues-rock excellence.

Get ready for the electrifying new album Retrograde from Jennifer Lyn & The Groove Revival. Inspired by the raw energy of ‘70s rock and blues, this studio album of 10 original songs blends dual guitar harmonies, fiery solos, and powerhouse vocals, channeling the spirit of The Rolling Stones, Led Zeppelin, and Humble Pie. Retrograde delivers a bold mix of soulful ballads, foot-stomping anthems, and electrifying blues riffs, making it a must-have for any blues rock fan. Pre-order now and experience the revival of the golden era of Rock!

The blues rocker returns for his 10th album, ‘The Speed Of Life,’ set for release on April 4, 2025, with a dozen new tracks recorded in the Czech Republic with his European touring rhythm section of drummer Nick Owsianka, and co-producer Dave Marks on bass, percussion, and keyboards. Additional recording and mixing was done at his own Muchmore Studios in the Cincinnati home he acquired from guitar legend Peter Frampton. The collection of all new original material takes the listener on a journey across a musical dreamscape that flows from thundering mountain tops down to serene valleys, while he mixes a cosmic array of guitar tones that only a master craftsman could yield.

With ‘Morph’, the Ellis Mano Band presents a multi-faceted, coherent opus. “It is more than just an album for us - it's our next big step, our musical diploma,“ says the band. With songs like the epic ‘Countdown To Nothing’ and the powerful anthem ‘For All I Care,’ the multinational blues-rock institution invites their listeners to join in on an intense journey through the evolution of our sound. ‘Morph’ represents change and growth – a transformation reflected in every track. Energized riffs meet unexpected, quiet moments, creating a listening experience full of tension and depth. The artwork by Canadian album design legend Hugh Syme (Rush, Aerosmith, Bon Jovi…) perfectly captures this essence and symbolizes the spirit of ‘Morph’. The band is excited to share there new sonic worlds with our fans, both on record and live!”

Erja Lyytinen’s eagerly anticipated new studio album ‘Smell the Roses’ continues to showcase the musical evolution of the Queen of Slide Guitar. Musical style of the album leans to 60’s and 70’s rock music with it’s long guitar solos and tension creating themes. ”Smell the Roses” is heavier than Lyytinen’s previous albums, still delivering uplifting experience. Like a lot of artists, Erja wants the subject of her lyrics to be open to the listener’s interpretation. “I don’t want to explain the songs too thoroughly but rather have the listener find their story and their interpretation of the song. Titles like "Going to Hell, "Abyss", and "Empty Hours" probably tell a lot - this isn’t just an album played in a major chord with a smile on your face,” laughs Erja. “The album is a lot heavier than my previous ones, but it does still lift you up. The rhythms on the album are groovy and rocky and I´m pretty sure most of the songs will be fun to play at festivals and live shows!”

Janiva Magness’s 17th album Back For Me is a treasure chest of lesser-known gems by well-known artists (Bill Withers, Ray LaMontagne, Allen Toussaint, Doyle Bramhall II, Tracy Nelson) produced by her longtime collaborator Dave Darling. The album features ace guitarists Joe Bonamassa, Sue Foley, and Jesse Dayton as they each put their stamps on their respective special guest appearances. Back For Me is a powerhouse set moving from the Chicago-via-Texas churn of “Masterpiece” to the aching gospel-soul-funk of Bill Withers’ “The Same Love That Made Me Laugh”. There’s heartache and heartbreak, but at the same time self-awareness and accountability and the strength and power that comes from that. In other words, it’s the blues.

Big Al and The Heavyweights, who hail from South Louisiana, have absolutely absorbed the multi rhythms and rich cultural diversity of the region on their newest Vizztone release, BLUES POWER. With the tragic loss of long time keyboard player and vocalist, Wayne Lohr, the band has returned to its original lineup of harmonica, bass, drums and guitar. On their eighth recording of original music, the band is soaring with energy infused from new members, Dangerous Dale Robertson on harp and Dennis the Menace Cedeno on bass, along with longtime guitarist vocalist Marcel Anton and Big Al Lauro on drums. From greasy funk to grinding blues mixed with some dance hall bayou soul and infectious zydeco, this album is truly a fine representation of American Roots Music